In their latest medieval study, the Gieses (Life in a Medieval Village, 1990, etc.) explode the myth that the Middle Ages were unconcerned with the empirical and demonstrate that the Renaissance itself was the outcome of gradual progress made over the previous thousand years. The political and military facade of Imperial Rome masked a largely stagnant peasant economy—along with a mentality that had little incentive to explore labor-saving technology and dismissed the ``useful arts'' as unworthy of a free man. The authors show that by the year 900 the new Europe, for all its political chaos, had already surpassed the ancient Mediterranean world in technology. They describe the above-ground reduction furnace that was feeding iron to local forges where smiths shaped it into parts for the new heavy ploughs, spades, and shoes for horses now beginning to pull with the aid of the padded collar; the triangular lateen sail that could drive Viking ships to trading posts on the Volga; and the considerable extension of the use of the waterwheel. The Gieses work century by century through the Middle Ages (from 500 to 1500), listing new tools and methods, each page full of attractive detail and anecdote. An important chapter is devoted to the influence of China, via the Silk Road, and Islam. We also learn how cities developed from fortresses into centers of commerce and watch the growth of handicrafts, gothic architecture, universities, mass production, the printing press and more. The final chapters show how the notebooks of Leonardo da Vinci were indebted to lesser-known predecessors. The Gieses suggest that important factors were the early spread of Benedictine monasticism creating centers of culture where manual work as well as learning were honored, and the emergence of an intellectual tradition that encouraged curiosity about God's world and made possible the idea of progress by positing a linear, rather than a cyclical, view of time. A mine of information, suitable for the intelligent nonspecialist. (Seventy b&w illustrations) (Book-of-the-Month Selection for January)
Pub Date: Feb. 16, 1994
ISBN: 0-06-016590-1
Page Count: 368
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1993
At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history...
A murder that transfixed the world and the invention that made possible the chase for its perpetrator combine in this fitfully thrilling real-life mystery.
Using the same formula that propelled Devil in the White City (2003), Larson pairs the story of a groundbreaking advance with a pulpy murder drama to limn the sociological particulars of its pre-WWI setting. While White City featured the Chicago World’s Fair and America’s first serial killer, this combines the fascinating case of Dr. Hawley Crippen with the much less gripping tale of Guglielmo Marconi’s invention of radio. (Larson draws out the twin narratives for a long while before showing how they intersect.) Undeniably brilliant, Marconi came to fame at a young age, during a time when scientific discoveries held mass appeal and were demonstrated before awed crowds with circus-like theatricality. Marconi’s radio sets, with their accompanying explosions of light and noise, were tailor-made for such showcases. By the early-20th century, however, the Italian was fighting with rival wireless companies to maintain his competitive edge. The event that would bring his invention back into the limelight was the first great crime story of the century. A mild-mannered doctor from Michigan who had married a tempestuously demanding actress and moved to London, Crippen became the eye of a media storm in 1910 when, after his wife’s “disappearance” (he had buried her body in the basement), he set off with a younger woman on an ocean-liner bound for America. The ship’s captain, who soon discerned the couple’s identity, updated Scotland Yard (and the world) on the ship’s progress—by wireless. The chase that ends this story makes up for some tedious early stretches regarding Marconi’s business struggles.
At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history lesson.Pub Date: Oct. 24, 2006
ISBN: 1-4000-8066-5
Page Count: 464
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
Ackerman writes with a light but assured touch, her prose rich in fact but economical in delivering it. Fans of birds in all...
Science writer Ackerman (Ah-Choo!: The Uncommon Life of Your Common Cold, 2010, etc.) looks at the new science surrounding avian intelligence.
The takeaway: calling someone a birdbrain is a compliment. And in any event, as Ackerman observes early on, “intelligence is a slippery concept, even in our own species, tricky to define and tricky to measure.” Is a bird that uses a rock to break open a clamshell the mental equivalent of a tool-using primate? Perhaps that’s the wrong question, for birds are so unlike humans that “it’s difficult for us to fully appreciate their mental capabilities,” given that they’re really just small, feathered dinosaurs who inhabit a wholly different world from our once-arboreal and now terrestrial one. Crows and other corvids have gotten all the good publicity related to bird intelligence in recent years, but Ackerman, who does allow that some birds are brighter than others, points favorably to the much-despised pigeon as an animal that “can remember hundreds of different objects for long periods of time, discriminate between different painting styles, and figure out where it’s going, even when displaced from familiar territory by hundreds of miles.” Not bad for a critter best known for bespattering statues in public parks. Ackerman travels far afield to places such as Barbados and New Caledonia to study such matters as memory, communication, and decision-making, the last largely based on visual cues—though, as she notes, birds also draw ably on other senses, including smell, which in turn opens up insight onto “a weird evolutionary paradox that scientists have puzzled over for more than a decade”—a matter of the geometry of, yes, the bird brain.
Ackerman writes with a light but assured touch, her prose rich in fact but economical in delivering it. Fans of birds in all their diversity will want to read this one.Pub Date: April 12, 2016
ISBN: 978-1-59420-521-7
Page Count: 336
Publisher: Penguin Press
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
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