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THINK OF ME

A painful private journey is traced in a sympathetic yet fragmented tale.

A widowed English vicar is forced to face the truth about himself, his marriage, and his faith when his home literally and figuratively falls to pieces.

James Acton might be a member of the great generation who offered themselves up to fight in the Second World War, but he would be the last to say so. Modest and decent, he’s an upright figure—a pilot in the Royal Air Force who met his future wife, Yvette Haddad, while stationed in North Africa. Shot down on a mission, then a prisoner of war, he suffered yet survived, marrying Yvette and becoming a vicar in the south of England. Liardet’s new novel moves back and forth in time, grounded in the present by the now long-widowed Acton, who's taking on a new parish in Upton, but interspersed with commentary by Yvette, drawn from her notebooks. These voice not only her side of the relationship, but also details of the miscarriage of their first child, an event which created a vast schism in Acton’s life. The consequences of that schism and Acton’s eventual owning of his shortcomings, as well as Yvette’s secrets, form the intense core of this hard-to-categorize narrative that also serves as a companion to Liardet’s impassioned previous novel—also set in Upton—We Must Be Brave (2019). The central figure of that book, Ellen Parr, takes a major role here too, befriending Acton, offering wisdom and more to the vicar whose beliefs and structures have suddenly turned to dust. At times affectingly pained and searching, at others reminiscent of the sweetly benign rural community of All Creatures Great and Small, the novel offers a quiet quest for honesty and connection that, though lacking the simple clarity of its predecessor, still offers emotional insight and a memorably humane vision.

A painful private journey is traced in a sympathetic yet fragmented tale.

Pub Date: Feb. 22, 2022

ISBN: 978-0-593-19114-9

Page Count: 400

Publisher: Putnam

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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