An excellent Western tale with a winning heroine.
In this YA novel, a debutante from California decides to escape her smug suitor and test her mettle as a teacher in a frontier logging town.
Beatrice Blake, 17, is leaving Oakland and heading to Snohomish, Washington. As it happens, her two Blake uncles have prospered there, and her brother, Stewart, the black sheep of the family, has joined them and invited Beatrice to the town. She will work there through the winter and spring, having promised to return to marry her arrogant suitor. Her mother is a toxic snob and overprotective, but Beatrice takes her stand, and her father, his own dreams faded, backs her up. To say that Snohomish is not as idyllic as Beatrice had envisioned would be a gross understatement. Although there are good people there, many are both suspicious and superstitious. Beatrice, on the other hand, has been badly infected with her mother’s prejudices so, for example, it takes her forever and much pain to accept the fact that Twasla, a half Native American, is not her social inferior. Beatrice then is fighting on two fronts: the insularity of Snohomish and her own deep biases. Wood (Langley, 2012, etc.) stirs the pot nicely, and for every step forward, Beatrice takes two steps back. The worst troubles occur when the smallpox plague strikes and kids die. Somehow Beatrice is blamed and branded a witch. For a time, it looks as if her life is in danger, but she refuses to scoot back to Oakland as Stewart urges. A few of the plot strands are a bit too pat (Stewart and Twasla become engaged). But while this is Wood’s debut novel, she is an experienced writer—with many nonfiction books under her belt—and it shows. Her tale should appeal to both the YA audience and older readers. The author has a deft hand with characters, especially Twasla and George Hess, who may turn out to be Beatrice’s great love. Readers should cheer as, after many difficult trials, the heroine finds the path to her true self. Along the way, she must determine whether she will stay in Snohomish and become the inspired teacher that she hoped she could one day be.
An excellent Western tale with a winning heroine.Pub Date: June 15, 2018
ISBN: 978-0-9656119-0-9
Page Count: 256
Publisher: N/A
Review Posted Online: Aug. 15, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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