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KATZENJAMMER

A nihilistic hellscape of gore and high school politics.

Cat is trapped in School: How she got there, how long she has been there, and what is happening, and why are lost to her, in the same way that she has lost her eyes, with only empty sockets left behind.

Memories slowly begin to bubble to the surface, such as the first day of first grade when she met her first friend and her first bully. Soon the flashbacks reach middle school, where art classes and a new friend provided sanctuary and escape. Meanwhile, School is a nightmare world where the violence of words is made manifest in torn flesh and where students othered in the real world find no respite. Their bodies have changed in monstrous ways that reflect the differences that made them targets for those with popularity and prestige. It is evident early on that Cat is somehow involved in the construction of this violent, otherworldly imagining of School, but the details are unclear. As the worlds of memory and fantasy grow nearer, the violence rapidly escalates, and soon, mass maiming and deaths litter every page, challenging even readers with a strong constitution for violence. While interspersed chapters of flashback memories provide some respite, there is ultimately no relief from the psychological and physical violence that permeates both the real world and nightmare conceptions of School. The book follows a White default. (Final art not seen.)

A nihilistic hellscape of gore and high school politics. (Fiction. 15-adult)

Pub Date: June 28, 2022

ISBN: 978-0-06-316165-8

Page Count: 400

Publisher: Greenwillow Books

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: April 15, 2022

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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