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THE WOMEN I LOVE

A novel about the male gaze...and about what happens when its power has begun to dim.

Italian writer Pacifico's new novel is a disconcerting mix: part sendup of toxic masculinity, part middle-aged cad's apologia.

Marcello is a classic man-child. Scion of a wealthy family that continues to support him, he's a poet and editor in his 30s who, feeling stuck, decides to make his mark with a memoir/novel about the women in his life: Eleonora, his fellow editor, protégé, and lover; his live-in girlfriend (and later wife), Barbara; his sister, estranged from her parents since she came out years ago; and his mother. The novel's real interest lies in the fact that he is not at all up to the job, at least initially. The portraits that emerge in the book's first half are mostly erotic self-portraits, the callow Marcello glimpsed sidelong in a mirror. The women he loves, it seems, are shape-shifters, elusive, complex, sybil-like figures who refuse to sit still and allow themselves, in the metaphor Marcello borrows from Nabokov, to be butterflies whose beauty is celebrated by getting pinned to a specimen board. The vain, bewildered Marcello seems at first like a man out of time, trying to replicate 1950s manhood (or the swaggering machismo of canonical male writers of the time) in a world that can no longer sustain it—and that he knows can no longer sustain it. But gradually, as he gets more accustomed to his limitations as man and as artist, as he reflects on the ways men have tried to capture or subdue or simplify women in their portraits, he relaxes, starts to pay attention. And once he's sufficiently chastened and self-conscious enough to give up on the ideal of master portraitist, the women emerge more sharply and in greater detail.

A novel about the male gaze...and about what happens when its power has begun to dim.

Pub Date: Dec. 7, 2021

ISBN: 978-0-374-29272-0

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 28, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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  • New York Times Bestseller

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THE ACADEMY

A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.

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A year in the life of the No. 2 boarding school in America—up from No. 19 last year!

Rumors of Hilderbrand’s retirement were greatly exaggerated, it turns out, since not only has she not gone out to pasture, she’s started over in high school, with her daughter Shelby Cunningham as co-author. As their delicious new book opens, it’s Move-In Day at Tiffin Academy, and Head of School Audre Robinson is warmly welcoming the returning and new students to the New England campus, the latter group including a rare midstream addition to the junior class. Brainiac Charley Hicks is transferring from public school in Maryland to a spot that opened up when one of the school’s most beloved students died by suicide the preceding year. She will be joining a large, diverse cast of adult and teenage characters—queen bees, jealous second-stringers, boozehounds young and old, secret lesbians, people chasing the wrong people chasing other wrong people—all of them royally screwed when an app called Zip Zap appears and starts blasting everyone’s secrets all over campus. How the heck…? Meanwhile, it seems so unlikely that Tiffin has jumped up to the No. 2 spot in the boarding-school rankings that a high-profile magazine launches an investigation, and even the head is worried that there may have been payola involved. The school has a reputation for being more social than academic, and this quality gets an exciting new exclamation point when the resident millionaire bad boy opens a high-style secret speakeasy for select juniors in a forgotten basement. It’s called Priorities. Exactly. One problem: Cinnamon Peters’ mysterious suicide hangs over the book in an odd way, especially since the note she left for her closest male friend is not to be opened for another year—and isn’t. This is surely a setup for a sequel, but it’s a bit frustrating here, and bobs sort of shallowly along amid the general high spirits.

A boarding-school fantasia, with Hilderbrand’s signature upgrades to the cuisine and decor. Sign us up for next term.

Pub Date: Sept. 16, 2025

ISBN: 9780316567855

Page Count: 432

Publisher: Little, Brown

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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