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AUNTIE LUCE’S TALKING PAINTINGS

Young readers will enjoy how Latour and Daley celebrate Haitian history and culture through this lovely, artistic story

In this story full of the sounds, colors, and language of Haiti, the protagonist connects with herself, her family history, and the history of Haiti through her auntie Luce’s extraordinary art. 

The bright cover depicts the young, brown-skinned, female protagonist with cornrowed hair, holding hands with Auntie Luce on the beach near a high hillside of multicolored houses. The dripping sun above them suggests that, with the long-handled brush that each character holds aloft, they are also painting the scene in which they appear. Vague details of conflicts between Luce and her sister, the protagonist’s mother, hint at why the child flies unaccompanied to Haiti every winter to visit, leaving her parents and brother behind. On this visit, the first question she asks Luce is if she can sit for a new painting. Since Auntie Luce last painted her when she was 7, Luce enthusiastically agrees, although the child has trouble sitting still for so long. It’s worth the effort, though, because Luce’s paintings “always talk back”—telling the stories of important black heroes of Haiti, such as Jean-Jacques Dessalines and Toussaint Louverture, as well as relatives. Daley’s richly saturated acrylic-on–illustration board paintings convey some of the complexities of time and place through the images themselves. 

Young readers will enjoy how Latour and Daley celebrate Haitian history and culture through this lovely, artistic story . (Picture book. 4-8)

Pub Date: Oct. 2, 2018

ISBN: 978-1-77306-041-5

Page Count: 36

Publisher: Groundwood

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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WHY A DAUGHTER NEEDS A MOM

New parents of daughters will eat these up and perhaps pass on the lessons learned.

All the reasons why a daughter needs a mother.

Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.

New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)

Pub Date: May 1, 2019

ISBN: 978-1-4926-6781-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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