by Francine Prose ‧ RELEASE DATE: Jan. 13, 1997
Two startling novellas offering meticulous explorations of the power of self-delusion, and featuring some none-too-innocent Americans abroad in the confusing precincts of contemporary Europe. Prose, the author of nine novels (Hunters and Gatherers, 1995, etc.), has always been fascinated by the tangled origins of human behavior. ``Guided Tours of Hell'' follows the hallucinatory misadventures of Landau, a second-rate American playwright attending a conference on Franz Kafka in Prague. He's quickly overshadowed by the riveting figure of Jiri Krakauer, a writer who, as an adolescent, was sent to a concentration camp where, he claims, he became the lover of Ottala Kafka, Franz's sister. The larger-than-life Jiri leads the conferees on a journey to the camp, and in that grim setting he and Landau become locked in an increasingly ugly competition for attention. Landau casts doubt on Jiri's Holocaust memories, and Jiri is volubly sarcastic about Landau's insecurity, his yearning to exchange his crabbed life for one as oversized (and filled with horror) as Jiri's. Prose offers some highly original observations on the deforming power of envy and the dangerously uncertain nature of memory, as well as a compelling meditation on contemporary attitudes toward the Holocaust. ``Three Pigs in Five Days'' follows the frantic efforts of Nina, a young journalist sent to Paris in midwinter by her editor at a travel journal (an older man who is also her lover), to come to terms with her obsessive love for him. Some of the scenes, including Nina's tour of the erotically charged Rodin museum, and a journey through the city's catacombs, are perfectly rendered. But Nina's passivity, her unwillingness to jettison her manipulative lover (who shows up at her hotel), becomes more irritating than compelling, while the end seems rushed and unpersuasive. ``Three Pigs'' is nonetheless vivid and disturbing, and ``Guided Tours of Hell''— exact, unsparing—is a superb, powerful work. (Author tour)
Pub Date: Jan. 13, 1997
ISBN: 0-8050-4861-8
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
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by Stephanie Greene & illustrated by Martha Weston ‧ RELEASE DATE: Sept. 18, 2000
In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)
Pub Date: Sept. 18, 2000
ISBN: 0-618-02369-0
Page Count: 96
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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