Intelligence, wit and an engaging heroine can’t quite disguise the fact that there’s not much actually happening here.
Versatile novelist/essayist/biographer Prose (Anne Frank: The Book, the Life, the Afterlife, 2009, etc.) views post-9/11 America through the sardonic eyes of an Albanian immigrant.
An ad on Craigslist led Lula to a cushy live-in job in suburban New Jersey keeping an eye on high-school senior Zeke while his father makes a bundle on Wall Street. And Mister Stanley, as Lula calls him, even got his friend, hotshot immigration lawyer Don Settebello, to arrange a work visa. So it’s a bit awkward in October 2005 when three fellow Albanians show up in a Lexus SUV and ask her to hide a gun for them. Why does Lula do it? Truth is, she’s a bit bored by her “new American life,” as Don keeps calling it. Making sure Zeke eats, sleeps and does his homework doesn’t take much time; conning Mister Stanley and Don with stories about blood feuds and bride-kidnapping in Albania (most of them plagiarized from folklore or based on family incidents from 100 years ago) is almost too easy. Besides, Alvo, chief of the Lexus-driving crew, is awfully cute, and Lula is lonely. She knows so much more than these liberal, well-meaning Americans; when Don agonizes over what he’s seen at Guantánamo and how little he can do for his clients there, she shrugs, “very Balkan…that’s what happens…human nature.” Lula’s observations of the affluent U.S. are funny, but Prose’s targets are rather obvious: Mister Stanley’s estranged wife is a loony New Ager making a tour of Native American spiritual sites; indifferent student Zeke gets into college only because the place that accepts him is desperate for applicants after a shooting incident (“it’s always the science students,” remarks a professor), etc. The story is agreeable without being terribly eventful or making much of an impact, emotional or otherwise.
Intelligence, wit and an engaging heroine can’t quite disguise the fact that there’s not much actually happening here.Pub Date: April 26, 2011
ISBN: 978-0-06-171376-7
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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