Intelligence, wit and an engaging heroine can’t quite disguise the fact that there’s not much actually happening here.
Versatile novelist/essayist/biographer Prose (Anne Frank: The Book, the Life, the Afterlife, 2009, etc.) views post-9/11 America through the sardonic eyes of an Albanian immigrant.
An ad on Craigslist led Lula to a cushy live-in job in suburban New Jersey keeping an eye on high-school senior Zeke while his father makes a bundle on Wall Street. And Mister Stanley, as Lula calls him, even got his friend, hotshot immigration lawyer Don Settebello, to arrange a work visa. So it’s a bit awkward in October 2005 when three fellow Albanians show up in a Lexus SUV and ask her to hide a gun for them. Why does Lula do it? Truth is, she’s a bit bored by her “new American life,” as Don keeps calling it. Making sure Zeke eats, sleeps and does his homework doesn’t take much time; conning Mister Stanley and Don with stories about blood feuds and bride-kidnapping in Albania (most of them plagiarized from folklore or based on family incidents from 100 years ago) is almost too easy. Besides, Alvo, chief of the Lexus-driving crew, is awfully cute, and Lula is lonely. She knows so much more than these liberal, well-meaning Americans; when Don agonizes over what he’s seen at Guantánamo and how little he can do for his clients there, she shrugs, “very Balkan…that’s what happens…human nature.” Lula’s observations of the affluent U.S. are funny, but Prose’s targets are rather obvious: Mister Stanley’s estranged wife is a loony New Ager making a tour of Native American spiritual sites; indifferent student Zeke gets into college only because the place that accepts him is desperate for applicants after a shooting incident (“it’s always the science students,” remarks a professor), etc. The story is agreeable without being terribly eventful or making much of an impact, emotional or otherwise.
Intelligence, wit and an engaging heroine can’t quite disguise the fact that there’s not much actually happening here.Pub Date: April 26, 2011
ISBN: 978-0-06-171376-7
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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