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THE KAFKA STUDIES DEPARTMENT

A dark, sometimes funny, meditation on the absurd trials of life.

A collection of bleak and amusing literary short stories from Levy.

The assorted stories in this collection tend to involve people in situations that are, in one way or another, desperate. “The Sprinter” features a nameless runner who literally exercises to death. He is engaged in “an odd form of suicide that masked itself as self-improvement.” “The Night Man” features 65-year-old Joe, who, reluctantly, retires from his position as a “night man” at an apartment complex. The story from which the book takes its title, “The Kafka Studies Department,” is about a small collection of powerless academics who study the famous author; the only one in the department with any reputation in the outside world dies rather suddenly. Many of the pieces involve well-to-do families: “Company History” is concerned with the merger of two wealthy families; “Profit/Loss” is about a power couple with a less-than-spectacular child. Both parents die in their 50s despite “all the energy they’d put into leading healthy and productive lives.” Simple black-and-white sketches by the illustrator, Cohen, add to the bleakness; “The Night Man” concludes with a drawing of the lonely exterior of Joe’s building, while “The Book of Solitude” includes an image of someone holding a volume titled The Book of Solitude. The stories in the second half of the book feature a protagonist named Spector, who spends his time mulling over the unfairness of life and preparing a hit list of people he hates. “Sleep” illustrates how Spector used to spend his weekends…sleeping. When success at his job launches him into the higher echelons of society, he is not quite sure what to do with himself. He suffers from a fear “about being discovered, about having it all taken away.”

The desperation and despair are played for laughs. When the humor succeeds, it does so in a stinging way: Those who make up the Kafka Studies department are, of course, ripe for mockery. That they have one among them who is unlike the others sets the stage. That this maverick meets a swift end is made funny by the pleasure it gives his closest rival. The rival is so passively pathetic that he ultimately removes his “Hush Puppies of the impoverished scholar” and wears the dead man’s shoes. “Profit/Loss” likewise exudes an entertaining darkness. The central couple, who have done everything right, manage to raise a boy who loves nothing more than “commercial television.” The narrator laments, “If only they could have a child they could be proud of!” If only. Other stories do not quite have the same twisted appeal. The protagonist of “The Sprinter” is as perplexing as his antics. It seems silly that he wears the same Golden Wok T-shirt every time he exercises, but his actions are more puzzling than comical. Each entry, including the installments featuring Spector, is indeed short, coming in at no more than a few pages. The prose is kept as minimal as the illustrations—at one point, Spector’s routine is described as “work, exercise, visits to his therapist.” When Spector comes into a fair amount of money, he finds that “With nothing out of his grasp, everything had lost its allure.” The book is full of such finely tuned lines, some more humorous than others.

A dark, sometimes funny, meditation on the absurd trials of life.

Pub Date: N/A

ISBN: 9781956474275

Page Count: 110

Publisher: Heliotrope Books

Review Posted Online: July 14, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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