by Francis Levy ; illustrated by Hallie Cohen ‧ RELEASE DATE: N/A
A dark, sometimes funny, meditation on the absurd trials of life.
A collection of bleak and amusing literary short stories from Levy.
The assorted stories in this collection tend to involve people in situations that are, in one way or another, desperate. “The Sprinter” features a nameless runner who literally exercises to death. He is engaged in “an odd form of suicide that masked itself as self-improvement.” “The Night Man” features 65-year-old Joe, who, reluctantly, retires from his position as a “night man” at an apartment complex. The story from which the book takes its title, “The Kafka Studies Department,” is about a small collection of powerless academics who study the famous author; the only one in the department with any reputation in the outside world dies rather suddenly. Many of the pieces involve well-to-do families: “Company History” is concerned with the merger of two wealthy families; “Profit/Loss” is about a power couple with a less-than-spectacular child. Both parents die in their 50s despite “all the energy they’d put into leading healthy and productive lives.” Simple black-and-white sketches by the illustrator, Cohen, add to the bleakness; “The Night Man” concludes with a drawing of the lonely exterior of Joe’s building, while “The Book of Solitude” includes an image of someone holding a volume titled The Book of Solitude. The stories in the second half of the book feature a protagonist named Spector, who spends his time mulling over the unfairness of life and preparing a hit list of people he hates. “Sleep” illustrates how Spector used to spend his weekends…sleeping. When success at his job launches him into the higher echelons of society, he is not quite sure what to do with himself. He suffers from a fear “about being discovered, about having it all taken away.”
The desperation and despair are played for laughs. When the humor succeeds, it does so in a stinging way: Those who make up the Kafka Studies department are, of course, ripe for mockery. That they have one among them who is unlike the others sets the stage. That this maverick meets a swift end is made funny by the pleasure it gives his closest rival. The rival is so passively pathetic that he ultimately removes his “Hush Puppies of the impoverished scholar” and wears the dead man’s shoes. “Profit/Loss” likewise exudes an entertaining darkness. The central couple, who have done everything right, manage to raise a boy who loves nothing more than “commercial television.” The narrator laments, “If only they could have a child they could be proud of!” If only. Other stories do not quite have the same twisted appeal. The protagonist of “The Sprinter” is as perplexing as his antics. It seems silly that he wears the same Golden Wok T-shirt every time he exercises, but his actions are more puzzling than comical. Each entry, including the installments featuring Spector, is indeed short, coming in at no more than a few pages. The prose is kept as minimal as the illustrations—at one point, Spector’s routine is described as “work, exercise, visits to his therapist.” When Spector comes into a fair amount of money, he finds that “With nothing out of his grasp, everything had lost its allure.” The book is full of such finely tuned lines, some more humorous than others.
A dark, sometimes funny, meditation on the absurd trials of life.Pub Date: N/A
ISBN: 9781956474275
Page Count: 110
Publisher: Heliotrope Books
Review Posted Online: July 14, 2023
Review Program: Kirkus Indie
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by Francis Levy
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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