THE KAFKA STUDIES DEPARTMENT

A dark, sometimes funny, meditation on the absurd trials of life.

A collection of bleak and amusing literary short stories from Levy.

The assorted stories in this collection tend to involve people in situations that are, in one way or another, desperate. “The Sprinter” features a nameless runner who literally exercises to death. He is engaged in “an odd form of suicide that masked itself as self-improvement.” “The Night Man” features 65-year-old Joe, who, reluctantly, retires from his position as a “night man” at an apartment complex. The story from which the book takes its title, “The Kafka Studies Department,” is about a small collection of powerless academics who study the famous author; the only one in the department with any reputation in the outside world dies rather suddenly. Many of the pieces involve well-to-do families: “Company History” is concerned with the merger of two wealthy families; “Profit/Loss” is about a power couple with a less-than-spectacular child. Both parents die in their 50s despite “all the energy they’d put into leading healthy and productive lives.” Simple black-and-white sketches by the illustrator, Cohen, add to the bleakness; “The Night Man” concludes with a drawing of the lonely exterior of Joe’s building, while “The Book of Solitude” includes an image of someone holding a volume titled The Book of Solitude. The stories in the second half of the book feature a protagonist named Spector, who spends his time mulling over the unfairness of life and preparing a hit list of people he hates. “Sleep” illustrates how Spector used to spend his weekends…sleeping. When success at his job launches him into the higher echelons of society, he is not quite sure what to do with himself. He suffers from a fear “about being discovered, about having it all taken away.”

The desperation and despair are played for laughs. When the humor succeeds, it does so in a stinging way: Those who make up the Kafka Studies department are, of course, ripe for mockery. That they have one among them who is unlike the others sets the stage. That this maverick meets a swift end is made funny by the pleasure it gives his closest rival. The rival is so passively pathetic that he ultimately removes his “Hush Puppies of the impoverished scholar” and wears the dead man’s shoes. “Profit/Loss” likewise exudes an entertaining darkness. The central couple, who have done everything right, manage to raise a boy who loves nothing more than “commercial television.” The narrator laments, “If only they could have a child they could be proud of!” If only. Other stories do not quite have the same twisted appeal. The protagonist of “The Sprinter” is as perplexing as his antics. It seems silly that he wears the same Golden Wok T-shirt every time he exercises, but his actions are more puzzling than comical. Each entry, including the installments featuring Spector, is indeed short, coming in at no more than a few pages. The prose is kept as minimal as the illustrations—at one point, Spector’s routine is described as “work, exercise, visits to his therapist.” When Spector comes into a fair amount of money, he finds that “With nothing out of his grasp, everything had lost its allure.” The book is full of such finely tuned lines, some more humorous than others.

A dark, sometimes funny, meditation on the absurd trials of life.

Pub Date: N/A

ISBN: 9781956474275

Page Count: 110

Publisher: Heliotrope Books

Review Posted Online: July 14, 2023

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DEMON COPPERHEAD

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

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Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.

An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

Pub Date: Oct. 18, 2022

ISBN: 978-0-06-325-1922

Page Count: 560

Publisher: Harper/HarperCollins

Review Posted Online: July 13, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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