In these free verse, mostly unpunctuated poems, Alarcón explores the world of both sleeping and waking dreams and his hope for a better world of tolerance and peace. Family members working together in their garden constitute a vision of cooperative society; people who exclude the dreams of others create a nightmare. In one poem, the young narrator imagines buffalo roaming free, whales singing opera and people living together peacefully. In another, he wants to be a happy onion who makes people sing instead of cry. Alarcón’s short lines are worked around Barragán’s richly colored, cut-and-paste style illustrations, which use silhouettes, small but exaggerated details and childishly thick figures to embody Alarcón’s utopian longings. Includes both English and Spanish versions of the poems. (Poetry. 7-11)
Pub Date: May 1, 2005
ISBN: 1-58430-233-X
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
A dozen familiar dinosaurs introduce themselves in verse in this uninspired, if colorful, new animal gallery from the authors of Commotion in the Ocean (2000). Smiling, usually toothily, and sporting an array of diamonds, lightning bolts, spikes and tiger stripes, the garishly colored dinosaurs make an eye-catching show, but their comments seldom measure up to their appearance: “I’m a swimming reptile, / I dive down in the sea. / And when I spot a yummy squid, / I eat it up with glee!” (“Ichthyosaurus”) Next to the likes of Kevin Crotty’s Dinosongs (2000), illustrated by Kurt Vargo, or Jack Prelutsky’s classic Tyrannosaurus Was A Beast (1988), illustrated by Arnold Lobel, there’s not much here to roar about. (Picture book/poetry. 7-9)
Pub Date: March 1, 2005
ISBN: 1-58925-044-3
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)
In this entertaining chapter book, the first in a series, readers meet kind Sir Sidney and the gentle performers and hands in his circus. But Sir Sidney is tired and leaves the circus under the management of new-hire Barnabas Brambles for a week.
That Sir Sidney is beloved by all is quickly established, presenting a sharp contrast to the bully Brambles. The scoundrel immediately comes up with a “to do” list that includes selling the animals and eliminating the mice Bert and Gert. (Gert is almost more distressed by Brambles’ ill-fitting suit and vows to tailor it.) Revealed almost entirely through dialogue, the put-upon animals’ solidarity is endearing. The story, like the circus train now driven by the Famous Flying Banana Brothers, takes absurd loops and turns. The art is fully integrated, illustrating the action and supplementing the text with speech bubbles, facsimile letters and posters, Brambles’ profit-and-loss notes, examples of Gert’s invented vocabulary and more. Brambles’ plans go awry, of course, and he gets his comeuppance. With Bert and Gert acting as his conscience, along with a suit from Gert that finally fits and a dose of forgiveness, Brambles makes a turnaround. Sensitive children may doubt Sir Sidney’s wisdom in leaving his animals with an unscrupulous man, and the closing message is a tad didactic, but that doesn’t blunt the fun too much.
Most children will agree the book is “smafunderful (smart + fun + wonderful).” (Graphic/fiction hybrid. 7-10)Pub Date: Sept. 10, 2013
ISBN: 978-1-61620-244-6
Page Count: 144
Publisher: Algonquin
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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