A brilliant, penetrating follow-up.
Following their escape from the cartels and corrupt local police threatening their lives in Ciudad Juárez, Mexico, Sara Zapata and her brother, Emiliano, learn that even Los Estados Unidos can’t guarantee their safety.
About 10 days have passed since their fateful trek across the border chronicled in the closing chapters of Disappeared (2017). Held captive at the Fort Stockton Detention Center, Sara awaits the results of her appeal for asylum in the U.S., every day losing more hope among the other women refugees. In the meantime, she must endure the ire of detention center personnel, including an office director with dangerous criminal ties. Unable to continue her investigation of a human trafficking ring with roots in Mexico and the U.S., Sara pins all her hopes on Emiliano, who now holds the all-important cellphone with incriminating data linking the powerful officials and criminals involved in the abduction and captivity of las Desaparecidas. Emiliano, meanwhile, heads off on a harrowing journey of his own, struggling to reconnect with his estranged, Americanized father while striving to elude danger at every corner, including the looming threat of deportation. Switching from third-person narration to a less enthralling first-person alternating narration, this sequel piles on the suspense and twists. Though there’s some muddled political commentary, Stork offers a biting indictment of the U.S. government’s immoral apathy to the refugee crisis within its borders. Strong character development, however, reigns supreme.
A brilliant, penetrating follow-up. (Thriller. 12-18)Pub Date: Aug. 4, 2020
ISBN: 978-1-338-31055-9
Page Count: 304
Publisher: Scholastic
Review Posted Online: May 31, 2020
Kirkus Reviews Issue: June 15, 2020
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This astonishing book will generate much-needed discussion.
After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge.
Though the African-American teen has never held one, Will leaves his apartment with his brother’s gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each “ghost” speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share.
This astonishing book will generate much-needed discussion. (Verse fiction. 12-adult)Pub Date: Oct. 17, 2017
ISBN: 978-1-4814-3825-4
Page Count: 320
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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