A grim, sharp-edged look at the emotional emptiness of marital intimacy.
Winner of the Prix Goncourt du Premier Roman, this unsentimental account of a sexually unhappy young wife is half Madame Bovary, half The Story of O.
Nina, the narrator of this slender but biting novel, is the daughter of a needy mother and the wife of a stolid, self-reliant, sexually conservative husband. With him, Nina works at a news kiosk in Paris during the week and entertains her mother and her inlaws on weekends. Nina’s life is colorless and uneventful, her relationship to her husband and her family routine and unsurprising. One afternoon, working alone at the kiosk, Nina begins to fantasize about her male customers. She makes a rapid progression from fantasy to reality, meeting several of them for illicit trysts. With her lovers, she becomes a new woman, one capable of dominating men and surprising herself with her sexual imagination. She grows aware of what she doesn’t have at home, but remains almost entirely ignorant of how to get it. When she tries her new sophistication on her husband, he is by turns disgusted and saddened. The real twist here comes when Nina disguises herself as a Chinese woman and meets her own husband in the darkness of a movie house. Her affair with her own husband is what finally drives a wedge between the two. Although the story’s plot is fantastical, Dorner’s writing is hypnotic. Nina’s voice—at turns joyless, curious, tentative and despairing—is utterly believable, and the spare descriptions of a deteriorating marriage are compelling. This is not a story about a woman’s sexual awakening, nor is it a morality tale about the dangers of sexual fantasy. Rather, it is a sophisticated, stylish meditation about the unexpected connections between longing and sex, and about the impossibility of really knowing even those people to whom we are most attached.
A grim, sharp-edged look at the emotional emptiness of marital intimacy.Pub Date: June 13, 2006
ISBN: 1-59051-186-7
Page Count: 128
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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