A compelling account of crushing oppression, those who sought to flee it, and those who, at great risk, offered help.
The potent story of a Jewish woman who fled, hid, endured imprisonment and debasement, and eventually escaped to Switzerland in June 1943.
In a republished volume that has enduring relevance, Frenkel (1889-1975), who originally produced her long-forgotten and recently rediscovered work in 1945 (original title: No Place To Lay One’s Head), chronicles her life before and after the Nazis rose in Germany and invaded France. As the new title suggests, she was a bookshop owner. She tells about her early love for books and her decision to go into the business—and to locate that business in Berlin, where she found no shops specializing in French literature (her love). When the Nazi oppressions grew more severe in Germany, she returned to France, where conditions were tolerable—at least for a while. Then she was forced to hide with sympathetic gentile friends, but she soon realized France was no longer safe, so she resolved to escape to Switzerland. She was apprehended in the process and spent time in custody before, miraculously, a judge freed her after a brief trial. A bit later, she made a second attempt to cross the border and succeeded despite gunfire and a near recapture. Frenkel, who originally wrote the book not long after her escape, is a fine writer: detailed, emotional, and careful about giving her readers sufficient information to keep the tension taut and not overwhelm. The current edition features some useful additions, including a chronology and a “dossier,” a compilation of some research to validate what the author wrote, as well as a preface by French novelist and Nobel laureate Patrick Modiano. Pictures, photocopies, and translations of documents comprise nearly 30 pages of engaging and relevant backmatter.
A compelling account of crushing oppression, those who sought to flee it, and those who, at great risk, offered help.Pub Date: Dec. 3, 2019
ISBN: 978-1-50-119984-4
Page Count: 288
Publisher: Atria
Review Posted Online: Oct. 6, 2019
Kirkus Reviews Issue: Nov. 1, 2019
An altogether charming and, yes, delightful book.
A collection of affirmations, noncloying and often provocative, about the things that make justice worth fighting for and life worth living.
Gay—a poet whose last book, the winner of the National Book Critics Circle Award, bears the semantically aligned title Catalog of Unabashed Gratitude (2015)—is fully aware that all is not well in the world: “Racism is often on my mind,” he writes by way of example. But then, he adds, so are pop music, books, gardening, and simple acts of kindness, all of which simple pleasures he chronicles in the “essayettes” that make up this engaging book. There is much to take delight in, beginning with the miraculous accident of birth, his parents, he writes, a “black man, white woman, the year of Loving v. Virginia, on a stolen island in the Pacific, a staging ground for American expansion and domination.” As that brief passage makes clear, this is not a saccharine kind of delight-making but instead an exercise in extracting the good from the difficult and ugly. Sometimes this is a touch obvious: There’s delight of a kind to be found in the odd beauty of a praying mantis, but perhaps not when the mantis “is holding in its spiky mitts a large dragonfly, which buzzed and sputtered, its big translucent wings gleaming as the mantis ate its head.” Ah, well, the big ones sometimes eat the little ones, and sometimes we’re left with holes in our heads, an idiom that Gay finds interesting if also sad: “that usage of the simile implies that a hole in the head, administered by oneself, might be a reasonable response.” No, the reasonable response is, as Gay variously enumerates, to resist, enjoy such miracles as we can, revel in oddities such as the “onomatopoeicness of jenky,” eat a pawpaw whenever the chance to do so arises, water our gardens, and even throw up an enthusiastic clawed-finger air quote from time to time, just because we can.
An altogether charming and, yes, delightful book.Pub Date: Feb. 12, 2019
ISBN: 978-1-61620-792-2
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 12, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
A dazzling visual homage to a music icon gone too soon.
A Los Angeles–based photographer pays tribute to a legendary musician with anecdotes and previously unseen images collected from their 25-year collaboration.
St. Nicholas (co-author: Whitney: Tribute to an Icon, 2012, etc.) first met Prince in 1991 at a prearranged photo shoot. “The dance between photographer and subject carried us away into hours of inspired photographs…and the beginning of a friendship that would last a lifetime.” In this book, the author fondly remembers their many professional encounters in the 25 years that followed. Many would be portrait sessions but done on impulse, like those in a burned-out Los Angeles building in 1994 and on the Charles Bridge in Prague in 2007. Both times, the author and Prince came together through serendipity to create playfully expressive images that came to represent the singer’s “unorthodox ability to truly live life in the moment.” Other encounters took place while Prince was performing at Paisley Park, his Minneapolis studio, or at venues in LA, New York, Tokyo, and London. One in particular came about after the 1991 release of Prince’s Diamonds and Pearls album and led to the start of St. Nicholas’ career as a video director. Prince, who nurtured young artists throughout his career, pushed the author to “trust my instincts…expand myself creatively.” What is most striking about even the most intimate of these photographs—even those shot with Mayte Garcia, the fan-turned–backup dancer who became Prince’s wife in 1996—is the brilliantly theatrical quality of the images. As the author observes, the singer was never not the self-conscious artist: “Prince was Prince 24/7.” Nostalgic and reverential, this book—the second St. Nicholas produced with/for Prince—is a celebration of friendship and artistry. Prince fans are sure to appreciate the book, and those interested in art photography will also find the collection highly appealing.
A dazzling visual homage to a music icon gone too soon.Pub Date: Nov. 19, 2019
ISBN: 978-0-06-293923-4
Page Count: 384
Publisher: Amistad/HarperCollins
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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