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AN ELEPHANT IN MY KITCHEN

WHAT THE HERD TAUGHT ME ABOUT LOVE, COURAGE, AND SURVIVAL

An engrossing eye-opener on the fragility of South Africa’s fauna.

The sequel to The Elephant Whisperer (2009), which was written by Malby-Anthony’s late husband, conservationist Lawrence Anthony.

In 1998, the author and her husband founded Thula Thula, a game reserve in South Africa where they rescued a herd of elephants. But when Lawrence died unexpectedly, Malby-Anthony was faced with the formidable task of continuing their work alone, with a limited ability to speak the native language in a land where few women hold positions of authority. In this endearing and inspirational follow-up to The Elephant Whisperer—written with the assistance of Willemsen (Shepherd’s Prayer, 2012), who grew up in South Africa—Malby-Anthony shares how she not only managed to preserve their elephant herd, but went on to Phase 2 of their dream: opening a nursery for orphaned baby elephants, a hippo who didn’t like water, and rhinos whose mothers had been killed for their horns. The author shares multiple stories about her daunting mission to bring these orphaned animals back from the brink of death due to starvation, dehydration, and simple fear. She discusses the disgusting nature of poaching for horns (“they turned her beautiful face into a gruesome mess of blood and flesh, and she was alive when they did it….They butchered her while she was a breathing, living, feeling rhino”), which command incredible prices on the black market, and the extreme measures she takes in order to protect the animals in her care. Unfortunately, despite her best efforts, the game reserve was still brutally attacked. The common threads that run throughout her story are love and respect for these wild animals and the heartwarming nature of the animal families that embrace each other as well as Malby-Anthony and her dogs. The writing is full of vivid descriptions that place readers in the middle of the action, making the book difficult to put down.

An engrossing eye-opener on the fragility of South Africa’s fauna.

Pub Date: Nov. 5, 2019

ISBN: 978-1-250-22014-1

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 27, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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