AN ELEPHANT IN MY KITCHEN

WHAT THE HERD TAUGHT ME ABOUT LOVE, COURAGE, AND SURVIVAL

An engrossing eye-opener on the fragility of South Africa’s fauna.

The sequel to The Elephant Whisperer (2009), which was written by Malby-Anthony’s late husband, conservationist Lawrence Anthony.

In 1998, the author and her husband founded Thula Thula, a game reserve in South Africa where they rescued a herd of elephants. But when Lawrence died unexpectedly, Malby-Anthony was faced with the formidable task of continuing their work alone, with a limited ability to speak the native language in a land where few women hold positions of authority. In this endearing and inspirational follow-up to The Elephant Whisperer—written with the assistance of Willemsen (Shepherd’s Prayer, 2012), who grew up in South Africa—Malby-Anthony shares how she not only managed to preserve their elephant herd, but went on to Phase 2 of their dream: opening a nursery for orphaned baby elephants, a hippo who didn’t like water, and rhinos whose mothers had been killed for their horns. The author shares multiple stories about her daunting mission to bring these orphaned animals back from the brink of death due to starvation, dehydration, and simple fear. She discusses the disgusting nature of poaching for horns (“they turned her beautiful face into a gruesome mess of blood and flesh, and she was alive when they did it….They butchered her while she was a breathing, living, feeling rhino”), which command incredible prices on the black market, and the extreme measures she takes in order to protect the animals in her care. Unfortunately, despite her best efforts, the game reserve was still brutally attacked. The common threads that run throughout her story are love and respect for these wild animals and the heartwarming nature of the animal families that embrace each other as well as Malby-Anthony and her dogs. The writing is full of vivid descriptions that place readers in the middle of the action, making the book difficult to put down.

An engrossing eye-opener on the fragility of South Africa’s fauna.

Pub Date: Nov. 5, 2019

ISBN: 978-1-250-22014-1

Page Count: 336

Publisher: Dunne/St. Martin's

Review Posted Online: Aug. 27, 2019

Kirkus Reviews Issue: Sept. 15, 2019

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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