An astute reminder that democracy depends on public spaces where people can congregate and political action can occur.
A peoples’ history of the irresistibility of stadiums as venues for political spectacle.
Since the early 20th century, municipally and privately owned stadiums and indoor arenas have attracted both those involved in politics of resistance and advocates of white nationalism and “militarized patriotism.” They offer places to congregate and a captive audience, and they reinforce social exclusions and preserve social hierarchies. Guridy, a professor of history and African American studies and the author of The Sports Revolution, spins a fascinating story of how stadiums are intertwined with political movements, the corporatization of professional sports, and reactionary forces acting in support of gender inequalities, white supremacy, and the military. After the mid-20th century, publicly owned, multipurpose stadiums served as spaces for grassroots mobilizations by Black civil rights groups, Native Americans, and gay and lesbian organizations. Throughout their history, in fact, sporting events have been sites of patriotic expression such as the singing of the national anthem and, post-9/11, admiration for the military, police, and first responders. The author educates readers on the basketball players who declared their support for the Black Lives Matter movement; the Gay Games held in San Francisco in 1982; a pro-Nazi rally at Madison Square Garden in 1939; the Wattstax ’72 concert, which celebrated Black music at Los Angeles Memorial Coliseum; Confederate-themed events at southern football stadiums; and an AIDS demonstration at Shea Stadium in 1988 by the women of ACT-UP. Guridy also considers the racial and gender diversity of sports audiences and the decline of income diversity in the 1980s as newly built stadiums became more single-purpose and heavily commercialized and tickets got more expensive. More than architecture, the author shows, stadiums are sites for both preserving and protesting the status quo.
An astute reminder that democracy depends on public spaces where people can congregate and political action can occur.Pub Date: Aug. 20, 2024
ISBN: 9781541601451
Page Count: 368
Publisher: Basic Books
Review Posted Online: May 15, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.
The Chicago Bulls stalwart tells all—and then some.
Hall of Famer Pippen opens with a long complaint: Yes, he’s a legend, but he got short shrift in the ESPN documentary about Michael Jordan and the Bulls, The Last Dance. Given that Jordan emerges as someone not quite friend enough to qualify as a frenemy, even though teammates for many years, the maltreatment is understandable. This book, Pippen allows, is his retort to a man who “was determined to prove to the current generation of fans that he was larger-than-life during his day—and still larger than LeBron James, the player many consider his equal, if not superior.” Coming from a hardscrabble little town in Arkansas and playing for a small college, Pippen enjoyed an unlikely rise to NBA stardom. He played alongside and against some of the greats, of whom he writes appreciatively (even Jordan). Readers will gain insight into the lives of characters such as Dennis Rodman, who “possessed an unbelievable basketball IQ,” and into the behind-the-scenes work that led to the Bulls dynasty, which ended only because, Pippen charges, the team’s management was so inept. Looking back on his early years, Pippen advocates paying college athletes. “Don’t give me any of that holier-than-thou student-athlete nonsense,” he writes. “These young men—and women—are athletes first, not students, and make up the labor that generates fortunes for their schools. They are, for lack of a better term, slaves.” The author also writes evenhandedly of the world outside basketball: “No matter how many championships I have won, and millions I have earned, I never forget the color of my skin and that some people in this world hate me just because of that.” Overall, the memoir is closely observed and uncommonly modest, given Pippen’s many successes, and it moves as swiftly as a playoff game.
Basketball fans will enjoy Pippen’s bird’s-eye view of some of the sport’s greatest contests.Pub Date: Nov. 9, 2021
ISBN: 978-1-982165-19-2
Page Count: 320
Publisher: Atria
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
SEEN & HEARD
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