An illuminating, provocative, and disturbing analysis of our current digital age.
A business executive in the tech space explores the problem of internet over-centralization and how it can be resolved.
The internet began as a “utopian dream” that promised unfettered access to information and the opportunity for global collaboration. Three decades later, the Silicon Valley giants that dominate it have led to what McCourt calls “digital feudalism.” The “black box” technology of proprietary algorithms has allowed corporations like Facebook and Google to treat users as little more than profit-generating information mines. McCourt, assisted by Money Reimagined podcast host Casey, suggests that this unchecked desire to control data for self-serving ends is at the heart of the dysfunction that now plagues American democracy. Not only has it led to the spread of socially divisive disinformation—as evidenced in the Cambridge Analytica scandal of 2018—on social media; it has also fostered blindness to such social media ills as cyberbullying, which in turn has given rise to a mental health crisis among younger, more vulnerable users. McCourt believes that the way individuals can reassert control is by using a Decentralized Social Networking Protocol, which offers users the ability to control “different types of information about them and their social connections.” The premise behind the author’s argument—that decentralizing corporate autocratic control over online information will be crucial to mending a broken democratic society—is undeniably important. His arguments are not without flaws, however—e.g., he fails to offer convincing arguments about how DSNP will motivate newly empowered individual users to consistently act in the “constructive, prosocial” ways that larger entities like Facebook and Google have not. Still, McCourt offers much-needed insight into a system that, as central as it has become to human life, poses threats to our freedom and well-being.
An illuminating, provocative, and disturbing analysis of our current digital age.Pub Date: March 12, 2024
ISBN: 9780593728512
Page Count: 224
Publisher: Crown
Review Posted Online: Feb. 9, 2024
Kirkus Reviews Issue: March 15, 2024
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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