A smart, suspenseful novel that masterfully intertwines medicine, mystery, and morality.
Edwards’ medical thriller combines hospital politics, cybercrime, and the chilling return of a serial killer.
In 2018, Jack Forester, a dedicated physician and medical school dean at New Canterbury University, is already struggling with the loss of his wife and the overwhelming responsibilities of running a hospital when his world is upended. A financial crisis threatens to bankrupt the medical center, and as Jack investigates, he uncovers shocking mismanagement and possible fraud. His pursuit of the truth puts him at odds with powerful figures, including a ruthless cybercriminal with a vested interest in the hospital’s collapse. At home, Jack is a single father to a young daughter, Julia, who’s beginning to ask difficult questions about her mother whom she barely remembers. Meanwhile, his teenage niece, Kaitlyn, arrives in his care under difficult circumstances, offering him a challenge and an unexpected source of strength. Just as Jack begins to untangle the web of deception surrounding the hospital, his past returns to haunt him. A notorious serial killer with whom Jack has history is back, and this time, he’s targeting those closest to him. Edwards, a physician, crafts an authentic medical setting, from the daily pressures of emergency medicine to the behind-the-scenes power struggles that shape hospital operations. His attention to detail, such as the protocols of hospital administration and the psychological burden of caregiving (“What would she remember of her childhood? He hoped it wouldn’t be of the hours she spent wondering when he would come home”), lends the story credibility and depth. Jack is a compelling protagonist—flawed yet determined, battling personal grief and forced into roles he never sought. Kaitlyn, a rebellious but intelligent teenager with a hidden talent for baseball, adds emotional weight to the story, and their evolving relationship is one of the book’s most rewarding aspects. Julia, though younger, serves as a constant reminder of the life that Jack’s trying to hold together, making the stakes more personal. The tension builds steadily as the various threats converge, leading to a climactic confrontation.
A smart, suspenseful novel that masterfully intertwines medicine, mystery, and morality.Pub Date: Feb. 18, 2025
ISBN: 9798888246177
Page Count: 344
Publisher: Koehler Books
Review Posted Online: Feb. 14, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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