The Halloween theme may help the didactic lesson go down, but this is a four-season issue.
A young witch gets a lesson about tattling while away at camp.
Camp Spellbound draws witches from all around to race brooms, swap potions, hold cackling contests, and decorate their hats. But Wanda, who craves the attention of the Head Witch, ruins everyone’s fun with her snitching. It isn’t long before the other campers are refusing to interact with her at all. Clueless Wanda asks fellow camper Wyatt why. Wyatt explains the difference between tattling and telling: Snitching gets people in trouble; telling is for unsafe conditions, when someone’s hurt, or when you need help from a grown-up. That night, some campers put a spell on Wanda to keep her from tattling. She can’t tell the Head Witch that Winnie took an extra doughnut or that Wendy stole spell ingredients. But when she sees Elmira altering William’s broom, which might cause an accident during the broom race, she must find a way to phrase the issue so it doesn’t sound like a snitch, thereby earning back her voice…and her friends. Three pages of dense text for grown-ups follow the tale, explaining snitching versus telling, why kids snitch, and what adults can do about it. Haley’s artwork features dark backgrounds with brilliant splashes of vibrant colors and a diverse cast. Wanda presents white and Wyatt, black.
The Halloween theme may help the didactic lesson go down, but this is a four-season issue. (Picture book. 3-8)Pub Date: Sept. 10, 2019
ISBN: 978-1-4338-3022-8
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
A powerful read-aloud to share and discuss.
In this autobiographical picture book by acclaimed “artivist” Smith, a young artist learns to use his talent for social commentary.
A Black child who loves to paint and help the community sees problems in the world that make him want to act. Aware of issues that need to be addressed—an unhoused person and someone being prevented from voting are pictured—he decides to combine his identities as an artist and as an activist, to “take ACTION with my ART,” and be an “ARTIVIST.” His art shows what is broken and what might heal it. When his painting on a city wall catches the attention of news outlets, its impact multiplies. In the second half of the story, the text describes what an artivist does while the visuals show various activist-related art, from murals to protest signs, that inspire empathy and spark change. The intimate, first-person narration draws readers right into the story, and the protagonist’s heartfelt concern for justice keeps readers engaged through the hopeful ending message. Smith’s vibrant art, full of expressive strokes and effective use of color, light, and dark, complements the text beautifully; while his words are broad and general, the images depict specific issues facing contemporary society. This expression of active love, solidarity, and compassion will resonate with and inspire readers of all ages. (This book was reviewed digitally.)
A powerful read-aloud to share and discuss. (author’s note) (Picture book. 4-8)Pub Date: Sept. 5, 2023
ISBN: 9780593619650
Page Count: 40
Publisher: Kokila
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
PERSPECTIVES
A moving, grooving snapshot of urban life where kids create the fun and beckon everybody in.
A high-energy ode to double Dutch and summer days of fun.
It’s a sizzling morning, and when one freckle-faced, curly-haired, tan-skinned kid yells, “Jump in!” kids of every hue and size come running with balls, with jump-ropes, and with arms and legs ready for moving. When the “Double Dutch divas,” the Delancy twins, arrive to jump-rope, their long cornrows go flying as they “Jump over, jump under” and “spin ’round.” Next, long-legged basketballer Leroy Jones, with a frohawk and fiery moves, twirls a ball on one finger then jumps in with hip-hop acrobatics…until hip-swinging Ms. Mabel tosses Leroy her purse and exhausts the jump-rope turners with her “funky wiggle” and her cartwheel in the ropes. Lots of neighbors, including the reverend, join in, and the jumping joy permeates the day as Strickland’s free-verse poetry turns this tale into a singable jump-rope rhyme. When a skateboard-loving youngster finally joins in after homework’s all done, the child takes their dog and board into the ropes. Strickland’s innovative low-angle and bird’s-eye views and gatefolds that open in various directions give readers expansive vantage points for this day of participatory play, while her colorful and highly textured digitally rendered illustrations, inspired by the Italian futurists, effectively capture the heat, verve, and energy of the city. This city community is a diverse one; most of the named characters present as Black.
A moving, grooving snapshot of urban life where kids create the fun and beckon everybody in. (Picture book. 3-7)Pub Date: Jan. 31, 2023
ISBN: 978-1-61963-580-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
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