A moving, grooving snapshot of urban life where kids create the fun and beckon everybody in.
A high-energy ode to double Dutch and summer days of fun.
It’s a sizzling morning, and when one freckle-faced, curly-haired, tan-skinned kid yells, “Jump in!” kids of every hue and size come running with balls, with jump-ropes, and with arms and legs ready for moving. When the “Double Dutch divas,” the Delancy twins, arrive to jump-rope, their long cornrows go flying as they “Jump over, jump under” and “spin ’round.” Next, long-legged basketballer Leroy Jones, with a frohawk and fiery moves, twirls a ball on one finger then jumps in with hip-hop acrobatics…until hip-swinging Ms. Mabel tosses Leroy her purse and exhausts the jump-rope turners with her “funky wiggle” and her cartwheel in the ropes. Lots of neighbors, including the reverend, join in, and the jumping joy permeates the day as Strickland’s free-verse poetry turns this tale into a singable jump-rope rhyme. When a skateboard-loving youngster finally joins in after homework’s all done, the child takes their dog and board into the ropes. Strickland’s innovative low-angle and bird’s-eye views and gatefolds that open in various directions give readers expansive vantage points for this day of participatory play, while her colorful and highly textured digitally rendered illustrations, inspired by the Italian futurists, effectively capture the heat, verve, and energy of the city. This city community is a diverse one; most of the named characters present as Black.
A moving, grooving snapshot of urban life where kids create the fun and beckon everybody in. (Picture book. 3-7)Pub Date: Jan. 31, 2023
ISBN: 978-1-61963-580-7
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
PERSPECTIVES
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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