Is the pen obstinate or obstreperous? A book as much fun to engage as it is simply to follow.
A pen speaks the truth to a series of self-involved townsfolk in this pleasingly eccentric treat from Dormer.
A new pen arrives at Uncle Flood’s house. “Uncle Flood shivered with delight.” Uncle Flood likes pens. But when Uncle Flood takes pen in hand and starts to write, “The following story is all true,” the pen writes, “You have a BIG nose.” This impertinence goes on long enough that Uncle Flood chucks the pen out the window, whereupon it starts its journey through the hands of an irascible policeman and a dinner party of snobs, correcting them as it goes. Not all of its jibes are especially constructive, though one certainly is: “Kiss that girl!” The pen finally lands in the mitts of a boy who knows how to tame the beast through a little honest drawing. The story is amusing and straightforward enough, and the language is a great deal of fun to roll around in your mouth: Wonkle and Weeble, Mrs. Norkham Pigeon-Smythe (aka Mrs. Floofy Pants), the Great King of Farflungdom. The artwork takes the cake, however, with its quivery line work, muted washes of color and Old World finesse.
Is the pen obstinate or obstreperous? A book as much fun to engage as it is simply to follow. (Picture book. 4-8)Pub Date: April 10, 2012
ISBN: 978-0-8050-9295-0
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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