Is the pen obstinate or obstreperous? A book as much fun to engage as it is simply to follow.

THE OBSTINATE PEN

A pen speaks the truth to a series of self-involved townsfolk in this pleasingly eccentric treat from Dormer.

A new pen arrives at Uncle Flood’s house. “Uncle Flood shivered with delight.” Uncle Flood likes pens. But when Uncle Flood takes pen in hand and starts to write, “The following story is all true,” the pen writes, “You have a BIG nose.” This impertinence goes on long enough that Uncle Flood chucks the pen out the window, whereupon it starts its journey through the hands of an irascible policeman and a dinner party of snobs, correcting them as it goes. Not all of its jibes are especially constructive, though one certainly is: “Kiss that girl!” The pen finally lands in the mitts of a boy who knows how to tame the beast through a little honest drawing. The story is amusing and straightforward enough, and the language is a great deal of fun to roll around in your mouth: Wonkle and Weeble, Mrs. Norkham Pigeon-Smythe (aka Mrs. Floofy Pants), the Great King of Farflungdom. The artwork takes the cake, however, with its quivery line work, muted washes of color and Old World finesse.

Is the pen obstinate or obstreperous? A book as much fun to engage as it is simply to follow. (Picture book. 4-8)

Pub Date: April 10, 2012

ISBN: 978-0-8050-9295-0

Page Count: 32

Publisher: Henry Holt

Review Posted Online: Feb. 5, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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Visually accomplished but marred by stereotypical cultural depictions.

HOME

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 18, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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An invitation to wonder, imagine and look at everything (humans included) in a new way.

NOAH CHASES THE WIND

A young boy sees things a little differently than others.

Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.

An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)

Pub Date: April 14, 2015

ISBN: 978-1-60554-356-7

Page Count: 32

Publisher: Redleaf Lane

Review Posted Online: Feb. 3, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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