A joyful, silly tale for the adventurer, boy or girl, young or old: medieval mayhem at its best.
Two chefs solve one big mystery (albeit too late!) in this humorous spoof on the knight-and-dragon tale.
It’s mealtime, but where is Harold? Two cooks wonder about their knightly friend—but readers are in the know. He was last seen racing across the title page, searching for the loo. So onward the pair go until: “Holy haddock!” There’s a sword in the stove. Who could’ve put it there? Pirates? The absurdity builds (and so do the laughs) as the oven yields additional items. The pumpkin-headed chefs, like a classic comedy duo, play off each other, channeling Laurel and Hardy in both physique and demeanor; the author juxtaposes their differences to maximum effect. When the two agree the sword is Harold’s and his fate a dire one, a fiery whoosh interrupts the question of who would do such a thing. A hungry (and adorable-looking) dragon ready for dessert, that’s who! Young readers need not fear, as the last page reveals the chefs and Harold still alive, with a giggle-inducing punch line. Dormer’s illustrations fuel the text with their spontaneity and engaging compositions. His primitive watercolor shapes, expressive pencil marks, and clever use of a limited, warm palette reveal a sophisticated control of the medium. Through both text and art, he offers something for everyone (pirates! Vikings! inventive expletives! silliness!). Brilliantly designed down to a typeface that alludes to the story’s legendary associations, this book establishes itself as thoroughly modern.
A joyful, silly tale for the adventurer, boy or girl, young or old: medieval mayhem at its best. (Picture book. 4-7)Pub Date: May 17, 2016
ISBN: 978-1-4814-3167-5
Page Count: 40
Publisher: Atheneum
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Like the last sip of a chocolate milkshake, it’s very satisfying.
A story-reading dragon—what’s not to like?
Duncan the Dragon loves to read. But the stories so excite him, his imagination catches fire—and so do his books, leaving him wondering about the endings. Does the captain save the ship? Do aliens conquer the Earth? Desperate to reach the all-important words “The End” (“like the last sip of a chocolate milk shake”), he tries reading in the refrigerator, in front of a bank of electric fans, and even in a bathtub filled with ice. Nothing works. He decides to ask a friend to read to him, but the raccoon, possum, and bull all refuse. Weeping, Duncan is ready to give up, but one of his draconic tears runs “split-splat into a mouse,” a book-loving mouse! Together they battle sea monsters, dodge icebergs, and discover new lands, giving rise to a fast friendship. Driscoll’s friendly illustrations are pencil sketches painted in Adobe Photoshop; she varies full-bleed paintings with vignettes surrounded by white space, imaginary scenes rendered in monochrome to set them apart. Duncan himself is green, winged, and scaly, but his snout is unthreateningly bovine, and he wears red sneakers with his shoelaces untied—a nicely vulnerable touch. Though there are lots of unusual friendship stories in picture books, the vivid colors, expressive faces, and comic details make this one likely to be a storytime hit.
Like the last sip of a chocolate milkshake, it’s very satisfying. (Picture book. 4-6)Pub Date: June 9, 2015
ISBN: 978-0-385-75507-8
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tongue-in-cheek bildungsroman about celebrating differences and the underrated superpowers of gentleness and sweetness.
Kaijus—giant Godzilla-like creatures—are supposed to have fearsome powers like atomic breath, the ability to summon storms, and magnetism—but not young Anzu.
Instead, he was born with the power of finding “beauty in small things.” Finally old enough to be assigned his own personal city to terrorize, Anzu hopes to impress his fond parents. But instead of inflicting fiery destruction on the tiny kodamalike residents at his feet, the best he can do is rain garlands of flowers down on them. He tries to wreak havoc by uprooting a tree but instead ends up creating a peaceful playground of blossoming animal topiaries. “I’ll never strike fear,” Anzu frets. “Am I even a kaiju?” Young readers may well share his doubts since, despite towering over the city of lumpy buildings made from low mounds of dirt, he and his family look more like cute, plump stuffies than scary reptilian beasts. When Anzu does at last manage a little devastation, his feeling of triumph is short-lived—and so, to restore joy and laughter, he exerts his special flower powers with surprising, and satisfying, results. The text is engaging and heartwarming without being cloying. The bright, colorful illustrations are rendered in watercolor and ink. Full-bleed artwork is interspersed with panels, which, along with the use of narrative boxes, lend a graphic feel to the presentation.
A tongue-in-cheek bildungsroman about celebrating differences and the underrated superpowers of gentleness and sweetness. (Graphic picture book. 5-7)Pub Date: Jan. 11, 2022
ISBN: 978-1-250-77612-9
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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