Consider these sturdy board books training titles for Walter Wick's more densely packed I Spy titles.

READ REVIEW

THINGS THAT GO

From the What Can You Spot? series

A topsy-turvy tumble of brightly colored iconic images on a clean white background is accompanied by the invitation, “What can you spot? What do you see?”

Double-page spreads show vehicles found in a town, flying, on water, at a racetrack, and in space, as well as construction, emergency, and farm equipment. This is not a book for beginners. The 30-35 vehicles in each grouping are displayed upside down, sideways, or at angles, adding challenge to the game. Outlines of most vehicles included on each spread are shown in a band of color along the bottom of the page as a sort of visual glossary. On some pages, this band of color is dark enough to make the text difficult to read. Extraneous figures to fill in white space (oars and anchors on the watercraft spread) and the inclusion of some vehicles not hinted at on the bottom (a train on the town page) further clutter the pages and increase the complexity of the task. Finding the tiny hidden lion on each page will be beyond the ability of many toddlers and will test the patience of older siblings and parents. In the companion title, In the Wild, finding the toucan is even more difficult.

Consider these sturdy board books training titles for Walter Wick's more densely packed I Spy titles. (Board book. 2-5)

Pub Date: Aug. 4, 2015

ISBN: 978-1-4998-0056-2

Page Count: 18

Publisher: Little Bee

Review Posted Online: Sept. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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There is no real story, but the moving parts are fun, and the illustrations are beautiful.

EGGS ARE EVERYWHERE

An interactive egg hunt with turning-wheel and lift-the-flap elements.

This board book begins by directing readers to find the hidden eggs. Each wheel—there are four in all set into the interior pages—has several different eggs on it, and turning it reveals an egg in a little die-cut window. Spinning it further hides the egg behind one of two lift-the-flap panels—two baskets, for example—and readers must guess behind which they’ll find the egg they have chosen to track. A diagram on the back provides instructions for use, likely more helpful to caregivers than to little ones. There is no narrative in this book; it’s simply page after page of different directives along the lines of “Guess which door!” As a result, the focus is really on manipulatives and the illustrations. Fortunately, Kirwan’s spring-themed artwork is gorgeous. The backdrop of each page is flower- and leaf-themed with warm spring hues, echoing the artwork of Eastern European hand-stenciled Easter eggs, two of which appear at the end of the book. The animals, like the smiling snail and mischievous mice, are reminiscent of classic European fairy-tale creatures. The only human in the book is a dark-skinned child with tight, curly hair. The moveable pieces largely work, though at times the necessary white space under the flaps interrupts the illustration awkwardly, as when the child’s hands suddenly develop large oval holes if the spinner is not in the correct position. Overall, it’s more game than book.

There is no real story, but the moving parts are fun, and the illustrations are beautiful. (Board book. 2-4)

Pub Date: Feb. 4, 2020

ISBN: 978-1-4521-7457-0

Page Count: 10

Publisher: Chronicle

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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