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FLOATING IN SPACE

Name: FLOATING IN SPACE
Author: Franklyn M. Branley
ISBN: 0-06-025432-7

by Franklyn M. Branley & illustrated by Y Kelley ‧ RELEASE DATE: Feb. 28, 1998

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In this Let's-Read-and-Find-Out Science entry, Branley (see review, above) takes readers on a space shuttle mission, from blast-off to touchdown, but focusing mainly on life in orbit. As he points out, ``zero gravity'' is a misnomer—but only barely; so negligible is gravitational pull that astronauts temporarily grow an inch or so as their joints relax, are able to stand on the walls and ceiling, have to learn new ways to eat, sleep, and use the toilet, and must be very careful about stowing small objects before re-entry. In Kelley's cheerful watercolors, smiling space travelers—including one woman—bounce around the shuttle's cabin and suit up for extra vehicular tasks while back on Earth, a young girl eagerly tracks the flight on television. While in the claim that heavy equipment—even the 12-ton Hubble telescope—can be lifted in space, Branley oversimplifies the effects of inertia and momentum, his choice of detail about conditions in space will surprise and delight readers. (Picture book/nonfiction. 7-9)

Pub Date: Feb. 28, 1998

ISBN: 0-06-025432-7

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1997

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
MISSION TO MARS
by Franklyn M. Branley & illustrated by Y Kelley

- BOOK REVIEW
IS THERE LIFE IN OUTER SPACE?
by Franklyn M. Branley

- BOOK REVIEW
DAY LIGHT, NIGHT LIGHT
by Franklyn M. Branley & illustrated by Stacey Schuett

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ADA LACE, ON THE CASE

From the Ada Lace series , Vol. 1

by Emily Calandrelli & Tamson Weston ; illustrated by Renée Kurilla ‧ RELEASE DATE: Aug. 29, 2017

The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the...

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Using science and technology, third-grader Ada Lace kicks off her new series by solving a mystery even with her leg in a cast.

Temporarily housebound after a badly executed bungee jump, Ada uses binoculars to document the ecosystem of her new neighborhood in San Francisco. She records her observations in a field journal, a project that intrigues new friend Nina, who lives nearby. When they see that Ms. Reed’s dog, Marguerite, is missing, they leap to the conclusion that it has been stolen. Nina does the legwork and Ada provides the technology for their search for the dognapper. Story-crafting takes a back seat to scene-setting in this series kickoff that introduces the major players. As part of the series formula, science topics and gadgetry are integrated into the stories and further explained in a “Behind the Science” afterword. This installment incorporates drones, a wireless camera, gecko gloves, and the Turing test as well as the concept of an ecosystem. There are no ethnic indicators in the text, but the illustrations reveal that Ada, her family, and bratty neighbor Milton are white; Nina appears to be Southeast Asian; and Mr. Peebles, an inventor who lives nearby, is black.

The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the chapter-book world. (Fiction. 7-9)

Pub Date: Aug. 29, 2017

ISBN: 978-1-4814-8599-9

Page Count: 128

Publisher: Simon & Schuster

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: June 15, 2017

Categories:

CHILDREN'S SCIENCE & TECHNOLOGY | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ADA LACE SEES RED
by Emily Calandrelli with Tamson Weston ; illustrated by Renée Kurilla

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MONSTER MATH

by Anne Miranda & illustrated by Anne Miranda ‧ RELEASE DATE: Aug. 1, 1999

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Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)