Next book

Since 1940

RECIPES AND STORIES FROM FRAN'S RESTAURANT

An affectionate look at a favorite local diner that will appeal most to those who know and love it.

A well-known Toronto diner shares history, period photographs, and some favorite recipes.

Fran’s Restaurant was opened in Toronto in 1940 by G. Francis “Fran” Deck, originally from Buffalo, New York. Fran’s 10-seat diner gained popularity in part because it was open on Sundays. Devotees included the pianist Glenn Gould, who lived nearby: “Every morning around 2:00, Gould stopped in and ordered a plate of scrambled eggs.” At first, Fran’s served the usual inexpensive but satisfying diner fare—hamburgers, hash, wheat cakes. Over the next decade, Deck opened more locations, adding a high-end dining room. When Deck died in 1976, his children continued the business, experimenting with new locations and menu items. (Removing Fran’s rice pudding “caused public outcry….Two weeks later, rice pudding was back on the menu.”) In 1998, one Fran’s location was sold to Joon Kim; in 2001, he bought the corporation from the Deck family. Today, Fran’s is still family-owned and -operated, now by the Kims. The story of Fran’s is told by debut author Downes, a journalist, with an appealing mix of history, ephemera, comics, and a few key recipes. Though the text mentions the diner’s “unexpected combinations,” such as pierogies “topped with kimchi” or “ribs dusted with curry salt,” the recipes in the book are traditional: old-fashioned bean soup, lemon-maple-bourbon French toast, and a turkey patty melt, for example. Drink recipes include the Colonel’s Daughter and the Unraveled Caesar, a drinkable Caesar salad that never actually made it to the menu (it’s gently mocked in a cartoon titled “The Unfortunate Caesar Milkshake”).  But you won’t find some of the most famous dishes, such as the rice pudding or shepherd’s pie; their secrets are “kept locked in a vault.” The recipes are well-written and -illustrated and easy to follow. Some require ingredients (three kinds of sweet syrup for a milkshake) or prep (making caramelized onions and roasted red-pepper jam for the turkey patty melt) that remind home cooks of why diners exist.

An affectionate look at a favorite local diner that will appeal most to those who know and love it.

Pub Date: Nov. 25, 2015

ISBN: 978-1-4602-7050-9

Page Count: 88

Publisher: FriesenPress

Review Posted Online: March 22, 2016

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview