THE NEW DAVID ESPINOZA

An intense look at male body dysmorphia from the author of The Closest I’ve Come (2017).

David Espinoza has always been tormented for his skinny physique, but when the high school bully slaps him in the locker room and catches it on camera, the video becomes a viral meme in his Florida town. The Mexican American teen decides to join a gym and build enough muscle over the summer to lay to rest the incessant teasing. There, he meets bodybuilders who influence him to take steroids in order to speed up the results. With graphic detail, Aceves presents the psychological, physical, and emotional effects of muscle dysmorphia. David’s relationships fall apart—with his family, friends, girlfriend—and the author, who also experienced this disorder in his youth, authentically delineates the ramifications of this illness, which is more prevalent than many believe. After a shocking climax, David finally comes to grips with his addiction, perhaps a little too quickly, but readers won’t mind the not-so-pat resolution. Frank discussions about the sexual lives and drug use of adolescents add authenticity to the story, and the expletive-laden prose makes this more appropriate for older teens. Toxic masculinity, which is cringingly part and parcel of the testosterone-filled world that Aceves portrays, is threaded through the narrative in a contextualized way. David’s friends are mostly Latinx—he has a Puerto Rican girlfriend and a Dominican best friend

Searing and thoughtful. (author’s note, resources) (Realistic fiction. 14-adult)

Pub Date: Feb. 11, 2020

ISBN: 978-0-06-248988-3

Page Count: 336

Publisher: HarperTeen

Review Posted Online: Nov. 17, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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