Hoppy Christmas to all (and a Merry Easter, too).
A clash between Santa Claus and the Easter Bunny resolves itself in merry collaboration.
The title should be switched: It’s the Easter Bunny who plots to take down Santa Claus after feeling bitter about all of the help and thanks St. Nick receives year after year. As the text explains, the Bunny has no elf helpers and follows an exhausting three-step process to make chocolate eggs “before delivering them all by himself. (Which explains why you often find Easter eggs scattered all over your yard).” Then, in stark contrast to Santa, who receives goodies from children around the globe, including carrots for his reindeer, the Easter Bunny gets no thanks. “I LIKE CARROTS. IS IT TOO MUCH TO ASK FOR A CARROT?” he exclaims in an angry speech bubble. Grinch-like, he decides to sabotage Christmas by filling the elves’ toy-making machines with chocolate: “THOSE POOR SWEET CHILDREN! WHATEVER WILL THEY DO WHEN THEIR TOYS MELT? Wooo Ha Ha Ha Ha Ha.” Alas, the plan backfires. Children are delighted by their chocolate toys. “I CAN PLAY AND EAT CHOCOLATE AT THE SAME TIME!” says one child who holds a chocolate airplane. Bereft, the Easter Bunny decides to leave for good, but Santa stops him and offers a jolly partnership, complete with elf helpers—and carrots! Blunt’s scratchy cartoons go big on the Bunny’s maniacal grins.
Hoppy Christmas to all (and a Merry Easter, too). (Picture book. 4-7)Pub Date: Oct. 1, 2019
ISBN: 978-1-4926-9164-8
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Sept. 1, 2019
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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