Then the Berserkers appear in force.
Thirteenth in the Berserker series, though the credits page lists only nine and skips entirely Shiva in Steel (1998), an awesome disappointment for most Berserker fans.
In a far-off galaxy long ago, the Builders, a race of ancient aliens fighting a second race of aliens, built the deadly machines called Berserkers, which, programmed to kill the enemy alien, were self-aware and more intelligent than man, whom they can mimic with androids. Both races died, but the independent Berserkers now roam the universe in vast battlecraft and kill life wherever they find it. The first battle with peace-loving, planet-hopping Earthfolk found mankind trounced severely, though we’ve returned to fight another day. In a way, Berserkers, as their name implies, parallel the psychotic element in man, and Faustian archetypes arise from an alien race’s collective unconscious. Galactic life has now entered into a centuries-long defensive war against the death-machines. With a nearby sun exploding, the million humans on Hong’s World are being evacuated by Space Force when young Lily Gunnlod approaches Harry Silver to carry her to the planet Maracanda to help recover her husband, Alan, kidnapped—she says—by religious fanatics. Also asking for transport to Maracanda on Harry’s Witch of Endor are Mr. Redpath and Mr. Dietrich. When Dietrich and Redpath try to take over the ship, Harry leaves them behind on a small space station. But now Lily may be a nasty problem. Then a small death ship appears (no life aboard), ready to process them into dust, and Saberhagen slips into high space-opera. Helping Lily find her lost husband, Alan, on Maracanda proves an illuminating experience for Harry. Alan, it happens, has discovered the incredible mineral wealth of Maracanda, which, because it lies between a neutron star and a shifting black hole, is not quite a planet and is not in normal dimensional space.
Then the Berserkers appear in force.Pub Date: June 1, 2003
ISBN: 0-765-30423-6
Page Count: 368
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
