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Goodbye, Rudy Kazoody

With complexity, honesty, and, above all, a sense of home, this book delivers a striking tale of a young émigré in the...

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A debut novel encapsulates American traditions, bringing New York and immigrant stories together in that often overlooked part of the metropolis, the Bronx.

How do you fit in as an uncertain young man in a country going through uncertain times? It’s a question that haunts many and lies at the core of this story. But it’s even more relevant to Joey, who begins his American experience living on the outside looking in. His first years after his family emigrates from Italy are lonely, but survival leads to new opportunities, and the clan moves to the Bronx in the 1960s, putting Joey among relatives, friends, and his own people in the United States for the first time. But while the support and leadership of his cousin Spike and the rest of the local gang open up the world to Joey, they’re not enough to keep him from feeling like an outsider. There are times when he acts like one of the gang, chasing girls, dodging the dangers of the city, and having the madcap adolescent adventures he’s dreamed of. But too often he’s overcome by a sense that he doesn’t quite belong and that some terrible upheaval is coming. Case in point: the enigma of Rudy Kazoody, a figure who seems to represent Joey’s hopes, his terrors, and the sense of cultural shift and shock that pervades the boys’ corner of the city simultaneously. But for all that, and the fact that Kazoody only comes up in times of anguish, the other boys won’t tell Joey a thing about him. While Freda’s novel takes some expected turns, weaving in the love and loss that accompany any coming-of-age yarn, there’s more to this work than just those tropes. The mystery of Kazoody gets at a unique piece of immigrant experiences: the confusion, isolation, and even despair that come with growing up between two worlds. This narrative is only furthered by the tumultuous backdrop of the ’60s, with war and cultural change informing the boys’ trajectories. Brought to life by Joey’s complex narrative voice, the story cuts to the heart of America.

With complexity, honesty, and, above all, a sense of home, this book delivers a striking tale of a young émigré in the turbulent ’60s.

Pub Date: Sept. 13, 2016

ISBN: 978-1-4602-9242-6

Page Count: -

Publisher: FriesenPress

Review Posted Online: Nov. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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