Visually effective and necessarily disturbing and difficult as it sheds light on inhumanity.
Latinx youths experience the violence and trauma of politics, dehumanization, self-hatred, racism, and illness in stories set along the southern U.S. border.
This multiethnic collection featuring people from Guatemala, Mexico, the United States, and another unnamed country is enhanced by the effective use of colors combined with stark black-and-white imagery. The artwork includes some full-page panels with benday dots that appear at the end of stories, depicting a significant moment, as well as black gutters, and pages without panels that have black backgrounds. The palette creates a sense of foreboding as families head toward border separation, detention, and other tragedies. In the story of Alicia Xóchitl Arai, a Japanese Mexican teen social media influencer who moved to San Ysidro, California, six years earlier, the color scheme fittingly makes use of Instagram’s tropical sunset colors. “El Celso” follows a queer boy whose story ends in tragedy, “Alberto” spotlights a Mexico-born Border Patrol agent who projects his internalized hatred onto others, while “Rocky” shares the perspective of a “white dude who hates the world.” English and Spanish are interwoven in most of the entries. Despite the social significance of the stories’ perspectives and their context within the many manifestations of border struggles, their brevity stifles their own potential for greater emotional resonance and impact on readers.
Visually effective and necessarily disturbing and difficult as it sheds light on inhumanity. (Graphic fiction. 13-18)Pub Date: Jan. 24, 2024
ISBN: 9780814258958
Page Count: 84
Publisher: Mad Creek/Ohio State Univ. Press
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
