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A BORDER OF BLUE

ALONG THE GULF OF MEXICO FROM THE KEYS TO THE YUCATAN

Uneven account of a 14-month-long exploration of the Gulf Coast as it arcs from the tourist traps of Key West to the temples of the Yucatan Peninsula. Along the way, Turner (Of Chiles, Cacti, and Fighting Cocks, 1990, etc.) encounters embittered commercial fishermen railing against conservationists, backslapping Mardi Gras float builders, Cajun activists, and investigators of the grisly Matamoros cult murders. But the author too often fails to breathe life into these potentially engrossing characters, either by overloading his portraits with finicky details or by leaving their outlines sketchy and undeveloped. Turner's account of the environmental depredations to be found along the rivers, streams, and bayous of Louisiana encapsulates his tendency toward literary overkill. Seemingly unwilling to allow his firsthand experiences to speak for themselves, he piles on statistics until his narrative reads like a governmental report. Meanwhile, his recapitulation of the facts concerning the 1989 ritual torture/murder of Mark Kilroy by drug- running cultists in Matamoros, Mexico, would have been more effective with deeper probing into the African/Caribbean/Christian roots of the crime's underlying ``magical'' motivations. Turner is at his best when he abandons so-called relevance and merely recounts the facts surrounding the lives of such ``endangered species'' as eccentric Mississippi potter George Ohr and prickly Cajun cultural revivalist Barry Ancelet. In these vignettes, the unique character of the Gulf Coast mentality is captured through vivid anecdotes. Yet another weakness here stems from Turner's reluctance to reveal his own idiosyncracies. He remains something of a cipher, recording but not reacting to the world through which he passes.

Pub Date: Feb. 5, 1993

ISBN: 0-8050-2072-1

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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