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THE SFWA GRAND MASTERS

VOL. III

Creaky and squeaky though they may be, these tales, considered the crème de la crème in their day, retain their value as...

The third volume of stories by writers—according to editor Pohl’s introduction—officially designated grandmasters of SFWA. Though there are many more 20th-century SF authors worthy of being called grandmasters of the genre, the 15 featured here are unquestionably worthy of the designation, even if some of the 20 stories from the 5 grandmasters included this time seem a bit dusty. One can almost feel the pulp and smeary ink of the old magazines as A.E. Van Vogt (who, thanks to a good translator, was all the rage in France, Pohl says) begins his deathless “Vault of the Beast” with the three-word sentence “the creature crept.” The feverish cleverness, though, of Jack Vance’s “Miracle Workers,” a comic fantasy that lampoons WWII army movies with a battalion of spell-casting “jinxsters,” is more forced than funny. In “The Handler,” Damon Knight, known in the genre more as an editor than writer, spoofs a martini-swilling Sid Caesar–like TV star who, when thanking the little people made him successful, introduces one that is literally pulling his strings. Lester Del Rey asks if God might look after intelligent dogs in “The Faithful,” then fulminates about the hypocrisy of religious groups and their demagogic leaders in his scathing “For I Am a Jealous People.” Pohl’s work seems to have held up best, as seen in a story about a crew of space explorers who find that they must solve impossible problems, or perish, in the boldly imaginative but awkwardly titled “Gold at Starbow’s End.”

Creaky and squeaky though they may be, these tales, considered the crème de la crème in their day, retain their value as memorials to an earlier generation’s fears, hopes, and joys.

Pub Date: June 1, 2001

ISBN: 0-312-86877-4

Page Count: 448

Publisher: Tor

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2001

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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