An end-of-the-world-as-we-know-it thriller featuring two unlikely, but very likable, protagonists.

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CHAIN OF EVENTS

Swedish scriptwriter Olsson’s first novel amps up the action via a doomsday scenario set in Europe.

William Sandberg, a retired Swedish cryptologist, tries to kill himself but is thwarted by his vigilant former wife, prominent newspaper executive Christina. Christina worries that her ex-husband is planning another go at it, but before he can try, he's abducted from the hospital, installed on a private plane and flown to an unknown destination. When he awakens, he finds himself in a chateau with an eclectic group including Janine Haynes, a brilliant doctoral candidate studying ancient codes, Connors, an enigmatic British military man, and a contingent of unsmiling guards. Sandberg is given a mysterious code to break, but Connors and his other captors refuse to provide all the details he needs. After a series of alarming revelations and much personal upheaval, William and Janine, who was also abducted, discover the unsettling, mind-boggling truth about what their real task is and come to some staggering conclusions. Although time is running out for the human race, they rush to find a solution despite ever dwindling options and the prospect of certain disaster. On the minus side, Olsson crams the book full of annoying one-sentence paragraphs, adds the popular action-novel device of ending each chapter on a cliffhanger, and obfuscates the storyline with a confusing explanation of why the kidnappers chose their particular course of action. On the plus side, Olsson lines up a sympathetic and well-developed cast of characters, inserts them into some interesting places, and allows very few dull moments, especially once the action really gets rolling. 

An end-of-the-world-as-we-know-it thriller featuring two unlikely, but very likable, protagonists.

Pub Date: Nov. 4, 2014

ISBN: 978-0-316-33500-3

Page Count: 432

Publisher: Little, Brown

Review Posted Online: Oct. 9, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.

THE HOUSE IN THE CERULEAN SEA

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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