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IMAGINED WORLDS

Name: IMAGINED WORLDS
Author: Freeman Dyson
ISBN: 0-674-53908-7

by Freeman Dyson ‧ RELEASE DATE: April 1, 1997

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A leading scientist speculates on far-future scientific developments and their possible impact on the human condition. Dyson (From Eros to Gaia, 1992, etc.) points out that our culture has apparently lost its long-range vision. Drawing on a fascinating cross-section of scientific and technological history, the professor emeritus at Princeton's Institute for Advanced Study lays the groundwork for a longer view, with a special interest in making the case for what has been called ``small science.'' He argues that massive projects with politically imposed deadlines (e.g., nuclear power plants) are incapable of developing naturally, because any failure is likely to be so massive that it brings all progress to a stop. When a smaller project fails, others can learn from it and build something better. Dyson contrasts two scientific styles: the Napoleonic, with huge teams and enormous budgets, under dictatorial supervision, and the Tolstoyan, in which creative anarchy is the rule. The Tolstoyan can thrive in times when tight budgets force such Napoleonic projects as the Superconducting Supercollidor onto the scrap heap. Looking ahead, Dyson suspects that the greatest surprises will come from the biological sciences. Genetic engineering is barely in its infancy; the visions of Jurassic Park or Brave New World could well become realities within a few centuries. Dyson bravely peers into even more distant vistas, to eras normally the province of science fiction; a million years in the future, the human race is likely to be altered almost beyond recognition—especially if a significant fraction of the population moves off Earth into environments that we can barely imagine. Finally, Dyson examines the interaction between scientific progress and social justice, and asks to what extent science should inquire into the application of its discoveries. At every turn, he illustrates his subject with reference to a wide range of writers and philosophers, making the book a delight to read. Essential reading for anyone who looks beyond the coming millennium.

Pub Date: April 1, 1997

ISBN: 0-674-53908-7

Page Count: 192

Publisher: Harvard Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
MAKER OF PATTERNS
by Freeman Dyson

- BOOK REVIEW
DREAMS OF EARTH AND SKY
by Freeman Dyson

- BOOK REVIEW
THE SCIENTIST AS REBEL
by Freeman Dyson

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.