An engrossing religious and historical account that would make a valuable companion to a high school history unit on Joan of...
Debut YA that fictionalizes the life of Joan of Arc.
Ng begins this tale in the early 1400s with the childhood of Joan of Arc. The story is told in the second person, with the narrator addressing St. Margaret of Antioch, who has returned from heaven years after her death to provide Joan with messages from St. Catherine and the archangel Michael. These biblical figures instruct Joan to leave her childhood home in Domremy and assist King Charles VII in rescuing the French from British dominion. When Joan finally travels to Chinon to see Charles, Margaret is her near-constant (but always invisible) companion. During Joan’s journey, Ng provides many interesting details about life in France during the 15th century, as well as the battle between the French and the English (now known as the Hundred Years’ War) that had been ongoing since 1337. When Joan reaches Chinon, she is laughed at for insisting that she join the fight. As a young girl in an extremely male-dominated era, Joan must exhibit tremendous perseverance, patience and wit before she can convince the king even to see her. After passing every test that Charles’ men throw at her, she is eventually embraced by the French monarchy. Joan soon leads the charge against the English, miraculously achieving multiple victories in battle. Ng takes great pains to show Joan’s humanity and compassion for the casualties of war on both sides. As the fighting continues, Ng portrays Joan’s capture by the British as well as her difficult trial in their courts. Throughout this harrowing period for Joan, St. Margaret offers her solace. Despite the unusual narration, Ng manages to draw readers to Joan’s side during her tribulations, and he creates sympathetic characters in both Joan and Margaret. Readers might hope that divine intervention will lead to a different outcome than in the true historical account.
An engrossing religious and historical account that would make a valuable companion to a high school history unit on Joan of Arc.Pub Date: N/A
ISBN: 978-1497435933
Page Count: 233
Publisher: Three Daughters Press
Review Posted Online: July 6, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
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