An important, well-written contribution to Mexican history.
The definitive biography of a Mexican revolutionary reckoned a monster by some, a hero by many more.
Francisco Villa’s origins, writes University of Chicago historian Katz (The Ancient American Civilizations, 1972), have long been obscured in legend; Villa himself gave differing accounts of his rise. The sources seem to agree, however, that Villa was a minor bandit who managed through canny self-promotion to remake himself, as American president Woodrow Wilson put it, into “a sort of Robin Hood [who] had spent an eventful life in robbing the rich in order to give to the poor.” Katz places Villa’s rise to revolutionary leadership in the context of social unrest in 19th-century northern Mexico, when the comparatively wealthy state of Chihuahua attempted to break away from the rule of Mexico City, precipitating a nationwide power struggle. At the beginning of that revolution, Katz discovers, Villa had been working as a muleteer for an American mining company and was locally renowned for his knowledge of cockfighting; his chief ambition seems to have been to set up a butcher shop in the capital city. Instead, Villa took advantage of the unrest to raise an army to wage war against national leaders Francisco Madero and Porfirio Diaz. He also forged an unlikely alliance of the Chihuahuan oligarchy and the revolutionary peasantry, crossed into the US to raid arsenals and granaries, and ranged throughout Mexico to commit strategically innovative acts of guerilla warfare. Through misjudgments, however, Villa lost important battles in the north, and his army, now full of unwilling conscripts instead of volunteers, disintegrated in 1915. Assassinated in 1923 while staging an attempted comeback, Villa continues to influence Mexican politics after his death, with candidates even today invoking his name. Katz speculates that had Villa survived to lead the nation, he would have instituted important land reforms and established a more democratic government than the quasi-dictatorship that followed.
An important, well-written contribution to Mexican history.Pub Date: Dec. 1, 1998
ISBN: 0-8047-3045-8
Page Count: 985
Publisher: Stanford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1998
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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