Hesson ably captures the enchantment and inherent dangers of surfing in this distinctive memoir.
A companion piece to the movie about surfing legend Rick “Frosty” Hesson’s life.
Hesson’s fearless love of water developed early in 1950s San Francisco; he loved the “motion and speed” of the ocean and the fact that “it was alive.” Tempering this exhilaration was life with a mother plagued by chronic digestive maladies and a frustrated, hard-drinking father overburdened with family financial responsibilities. As a teenager, Hesson expressed an interest in surfing, and soon, prefab board at his side, he began a trial-and-error ocean education at the beach and at school swim meets with a dedicated coach. Adulthood brought increased familial responsibilities and varied roadblocks as he flunked out of college, narrowly avoided the draft, processed his mother’s heart-wrenching suicide and rushed into marriage. At 26, “Frosty” (nicknamed for his whitish blond hair) revisited the surf at Hawaii’s Waimea Bay and, eventually, returned to Northern California’s Half Moon Bay, where the nation’s pro surfers often stay in the winter to be close to the notoriously mammoth “Mavericks” wave swells. Hesson enthusiastically describes his experiences riding the “Mavs” and his intensive mentorship with burgeoning surfer Jay Moriarity, a relationship that began when the boy, a quick learner, was 12. This pairing of wise experience with eager novice dominates the final third of the author’s autobiography. After years of Hesson’s mindful tutelage, Moriarity, at 16, fearlessly braved the risky Mavericks and emerged as prime sports-media fodder. Sadly, his time with the boy ended tragically when Moriarity drowned while free diving. Throughout, the author comes across as a decent man with great wisdom and compassion.
Hesson ably captures the enchantment and inherent dangers of surfing in this distinctive memoir.Pub Date: Oct. 10, 2012
ISBN: 978-1-939126-00-9
Page Count: 300
Publisher: Zola Books
Review Posted Online: Sept. 26, 2012
Kirkus Reviews Issue: Oct. 15, 2012
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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