The story is an important one, but this vehicle can’t carry it.

THE SLAVE WHO WENT TO CONGRESS

Benjamin Sterling Turner, the first African American elected to the U.S. Congress from the state of Alabama, is the subject of this picture-book biography.

Rosner and Gaillard tell the story in Turner’s voice, opening with his enslavement and his “yearning for an education,” which “would come alive” during “the reading mornings” when he would sneak and listen to his owner, Mrs. Turner, read aloud to her children. Turner was a tenacious learner. Children who are familiar with stories about Booker T. Washington and Frederick Douglass will notice this parallel with his contemporaries. From this book, readers learn that Turner was an interesting man who amassed a fortune twice before his death, raised a son alone after his first wife was sold away, and was elected to Congress despite having been born enslaved. However, a problem that presents almost immediately is that this book is related in the first person and therefore reads as though it is an autobiography. The authors mention both this decision and their sources in an opening note, but their fairly unorthodox choice unacceptably blurs the line between the facts of Turner’s life and fictional embellishment. Drawing on secondary resources for detail and Turner’s few recorded writings for his style, the authors put words in his mouth; a representative example: “I cannot say [my owner] was altogether unkind.” With no specific citation for this or other assertions, it is impossible for readers to know whether this was authentically Turner’s feeling or authorial imposition.

The story is an important one, but this vehicle can’t carry it. (Picture book/biography. 5-10)

Pub Date: Jan. 7, 2020

ISBN: 978-1-58838-356-3

Page Count: 32

Publisher: NewSouth

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants.

A WORLD TOGETHER

Large color photographs (occasionally composed of montages) and accessible, simple text highlight global similarities and differences, always focusing on our universal connections.

While child readers may not recognize Manzano, the Puerto Rican actress who played Maria on Sesame Street, adults will recognize her as a trusted diverse voice. In her endnote, she explains her desire to “encourage lively conversations about shared experiences.” Starting out with the familiar, home and community, the text begins with “How many WONDERFUL PEOPLE do you know?” Then it moves out to the world: “Did you know there are about 8 BILLION PEOPLE on the planet?” The photo essay features the usual concrete similarities and differences found in many books of this type, such as housing (a Mongolian yurt opposite a Hong Kong apartment building overlooking a basketball court), food (dumplings, pizza, cotton candy, a churro, etc.), and school. Manzano also makes sure to point out likenesses in emotions, as shown in a montage of photos from countries including China, Spain, Kashmir (Pakistan/India), and the United States. At the end, a world map and thumbnail images show the locations of all photos, revealing a preponderance of examples from the U.S. and a slight underrepresentation for Africa and South America.

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants. (Informational picture book. 5-8)

Pub Date: Sept. 15, 2020

ISBN: 978-1-4263-3738-3

Page Count: 32

Publisher: National Geographic Kids

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...

BEFORE SHE WAS HARRIET

A memorable, lyrical reverse-chronological walk through the life of an American icon.

In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.

A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)

Pub Date: Nov. 7, 2017

ISBN: 978-0-8234-2047-6

Page Count: 32

Publisher: Holiday House

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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