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THE SLAVE WHO WENT TO CONGRESS

The story is an important one, but this vehicle can’t carry it.

Benjamin Sterling Turner, the first African American elected to the U.S. Congress from the state of Alabama, is the subject of this picture-book biography.

Rosner and Gaillard tell the story in Turner’s voice, opening with his enslavement and his “yearning for an education,” which “would come alive” during “the reading mornings” when he would sneak and listen to his owner, Mrs. Turner, read aloud to her children. Turner was a tenacious learner. Children who are familiar with stories about Booker T. Washington and Frederick Douglass will notice this parallel with his contemporaries. From this book, readers learn that Turner was an interesting man who amassed a fortune twice before his death, raised a son alone after his first wife was sold away, and was elected to Congress despite having been born enslaved. However, a problem that presents almost immediately is that this book is related in the first person and therefore reads as though it is an autobiography. The authors mention both this decision and their sources in an opening note, but their fairly unorthodox choice unacceptably blurs the line between the facts of Turner’s life and fictional embellishment. Drawing on secondary resources for detail and Turner’s few recorded writings for his style, the authors put words in his mouth; a representative example: “I cannot say [my owner] was altogether unkind.” With no specific citation for this or other assertions, it is impossible for readers to know whether this was authentically Turner’s feeling or authorial imposition.

The story is an important one, but this vehicle can’t carry it. (Picture book/biography. 5-10)

Pub Date: Jan. 7, 2020

ISBN: 978-1-58838-356-3

Page Count: 32

Publisher: NewSouth

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A WORLD TOGETHER

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants.

Large color photographs (occasionally composed of montages) and accessible, simple text highlight global similarities and differences, always focusing on our universal connections.

While child readers may not recognize Manzano, the Puerto Rican actress who played Maria on Sesame Street, adults will recognize her as a trusted diverse voice. In her endnote, she explains her desire to “encourage lively conversations about shared experiences.” Starting out with the familiar, home and community, the text begins with “How many WONDERFUL PEOPLE do you know?” Then it moves out to the world: “Did you know there are about 8 BILLION PEOPLE on the planet?” The photo essay features the usual concrete similarities and differences found in many books of this type, such as housing (a Mongolian yurt opposite a Hong Kong apartment building overlooking a basketball court), food (dumplings, pizza, cotton candy, a churro, etc.), and school. Manzano also makes sure to point out likenesses in emotions, as shown in a montage of photos from countries including China, Spain, Kashmir (Pakistan/India), and the United States. At the end, a world map and thumbnail images show the locations of all photos, revealing a preponderance of examples from the U.S. and a slight underrepresentation for Africa and South America.

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants. (Informational picture book. 5-8)

Pub Date: Sept. 15, 2020

ISBN: 978-1-4263-3738-3

Page Count: 32

Publisher: National Geographic Kids

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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