Readers definitely won’t be hungry an hour after finishing this satisfying history from a witty Chinese food authority.
Freelance scribe, almost-professional chef, restaurant consultant and ardent Sinophile Dunlop ensures that you’ll never again look at General Tso or his chicken in the same way.
In this, her first non-cookbook, she examines the entire spectrum of Chinese food culture, from the mystery of MSG to the melding of food and politics to Chinese culinary schools. As was the case with Trevor Corson’s terrific Japanese food treatise The Zen of Fish: The Story of Sushi, From Samurai to Supermarket (2007), Dunlop successfully inserts herself into the narrative, discussing her methodology, her feelings and theories about China and, periodically, her love life. She’s so slick about it that the technique enhances rather than detracts from her episodic story line. In a clever gimmick, each chapter concludes with a recipe, a menu, a glossary or some other sort of culinary tidbit; the recipe for Mu gua dun ji, chicken and papaya soup, looks particularly tasty. It’s become trendy, if not tired, for a food writer or television personality to eat a seemingly repulsive dish, then rave about how shocked they were at its yumminess. Dunlop periodically takes this approach—for example, her encounters with caterpillar and with snake stir-fry—and while she doesn’t add anything new to the formula, her enthusiasm and linguistic dexterity keep it engaging. That’s the case throughout this charming, informative textbook/memoir/travelogue, one of the more noteworthy recent food studies.
Readers definitely won’t be hungry an hour after finishing this satisfying history from a witty Chinese food authority.Pub Date: April 1, 2008
ISBN: 978-0-393-06657-9
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2008
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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