An overcrowded but mostly compelling tale of a 16th-century Floridian princess.
A Native princess in Florida fulfills her destiny in debut author Daniels’ first graphic novel in a series.
Teenage Uleyli spends her time crafting items, such as a spider medallion that she’s able to trade to a traveling peddler. However, her parents wish that she, as their eldest daughter, would concentrate more on fulfilling her duties as princess of the village. When Uleyli is 15, Mocoso, the chief of another, nearby village—to which her father is forced to pay tribute—demands that the girl be given to him as a wife. Uleyli’s father agrees to this, but negotiates that the wedding not occur for a year. The princess, distraught, seeks advice from the village medicine woman, who likens her to a fly caught in a spider’s web: “The more you struggle against it, the more stuck you will become. But if you stop struggling and center yourself you will see that you are not the fly but are the spider sitting in the center.” Uleyli refuses to accept this notion; instead, she formulates a plan that revolves around a Spanish prisoner, Juan Ortiz, who was recently brought to the village. Her father wants to execute the young man as revenge for a Spanish raid that killed Uleyli’s grandmother, but the princess convinces him to spare Juan’s life. If she can help Juan escape captivity, she thinks, then maybe he’ll take her with him. Daniels tells his story in simple, easy-to-follow language, and the full-color illustrations by debut artist Mitra are lively and engaging. The story is based on a legendary real-life encounter between a Native woman and a Spanish sailor, which is why the book claims, somewhat reductively, to be about “Florida’s Pocahontas.” The main flaw of the book, however, is its brevity: Daniels stuffs a fairly complex, multievent plot into just 30 pages. Uleyli’s goals, and the threats to her village, change a number of times throughout the story, and, as a result, the conclusion doesn’t feel fully satisfying. Further graphic novels in the series are planned.
An overcrowded but mostly compelling tale of a 16th-century Floridian princess.Pub Date: Nov. 1, 2018
ISBN: 978-0-9774189-4-7
Page Count: 36
Publisher: Rebourne Communications
Review Posted Online: Jan. 31, 2020
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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