An overcrowded but mostly compelling tale of a 16th-century Floridian princess.
A Native princess in Florida fulfills her destiny in debut author Daniels’ first graphic novel in a series.
Teenage Uleyli spends her time crafting items, such as a spider medallion that she’s able to trade to a traveling peddler. However, her parents wish that she, as their eldest daughter, would concentrate more on fulfilling her duties as princess of the village. When Uleyli is 15, Mocoso, the chief of another, nearby village—to which her father is forced to pay tribute—demands that the girl be given to him as a wife. Uleyli’s father agrees to this, but negotiates that the wedding not occur for a year. The princess, distraught, seeks advice from the village medicine woman, who likens her to a fly caught in a spider’s web: “The more you struggle against it, the more stuck you will become. But if you stop struggling and center yourself you will see that you are not the fly but are the spider sitting in the center.” Uleyli refuses to accept this notion; instead, she formulates a plan that revolves around a Spanish prisoner, Juan Ortiz, who was recently brought to the village. Her father wants to execute the young man as revenge for a Spanish raid that killed Uleyli’s grandmother, but the princess convinces him to spare Juan’s life. If she can help Juan escape captivity, she thinks, then maybe he’ll take her with him. Daniels tells his story in simple, easy-to-follow language, and the full-color illustrations by debut artist Mitra are lively and engaging. The story is based on a legendary real-life encounter between a Native woman and a Spanish sailor, which is why the book claims, somewhat reductively, to be about “Florida’s Pocahontas.” The main flaw of the book, however, is its brevity: Daniels stuffs a fairly complex, multievent plot into just 30 pages. Uleyli’s goals, and the threats to her village, change a number of times throughout the story, and, as a result, the conclusion doesn’t feel fully satisfying. Further graphic novels in the series are planned.
An overcrowded but mostly compelling tale of a 16th-century Floridian princess.Pub Date: Nov. 1, 2018
ISBN: 978-0-9774189-4-7
Page Count: 36
Publisher: Rebourne Communications
Review Posted Online: Jan. 31, 2020
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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