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A YEAR OF MADNESS

A revenge tale set against the backdrop of the civil rights movement and the crime-ridden streets of the U.S. capital.

In the riots following the assassination of Dr. Martin Luther King Jr., Bobby Holmes watches as his father is mercilessly gunned down, not by the overzealous white police force, but by a member of his community—the notorious, sadistic Charlie Ringnose. But as the connection for white sellers to funnel drugs into the black neighborhoods, Ringnose is untouchable in Washington, D.C., and the murder of Bobby’s father will seemingly go unpunished. Fast forward to Bobby as an adult, now a successful doctor but still haunted by the tragedy and more determined than ever to avenge his loss. Ringnose has had D.C.’s criminal element in a stranglehold for years, and the vengeful doctor isn’t the only one who wants him dead. Prue’s debut is overly ambitious—while it broadly addresses the themes of race and power in America, it ultimately falls short of identifying the connection implied between the two. Though enemies, Bobby and Ringnose are largely motivated by the same deep-seated rage, a resentment cultivated from years of struggling under racial inequality, but Bobby’s quest for revenge is never adequately tied to that anger specifically, while Ringnose’s lust for power seems born of simple greed. The novel’s prose is unique, deploying a semipoetic style with noir influences that alternates between candid and lyrical without being jarring, save for the disappointing moments when it falls back on hokey, action-movie tropes such as sensationalized gang wars or a hired-nursemaid assassin. The novel’s first half is the most notable and impressive, where the frank depictions of civil unrest in the 1960s—coupled with the younger Bobby’s wide-eyed wonder—capture a time in America when things seemed their bleakest, but people still dreamed of something better. Opens strong, but loses its way and becomes a cookie-cutter revenge story.

 

Pub Date: March 17, 2011

ISBN: 978-1453821855

Page Count: 252

Publisher: CreateSpace

Review Posted Online: Aug. 10, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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