An exceptional portrait of one of the most recognizable musicians of all time.

HELLO, I'M JOHNNY CASH

Before he was Johnny Cash, he was J.R., a country boy who lived a hard, farming life and loved music.

This illustrated biography of the “Man in Black” uses poetry to chronicle pivotal moments in his life, from boyhood to stardom. Each poem borrows its title from one of Cash’s songs. Most document J.R.’s early life and the role of music in it: memorizing songs from the radio to entertain the neighbors, keeping his family’s spirits high as they pick cotton under the hot sun, and immersion in the gospel standards at church. Music helps J.R. get through the tough times, such as the death of his older brother, and allows him to dream of a life beyond the farm. The final poems summarize J.R.’s entrée into the music industry and his transformation into Johnny Cash. The narrative is well-researched, age-appropriate and beautifully expressive. The exquisite oil illustrations capture the setting and the emotion of each poem, allowing readers to feel as if they are there with J.R. as he works the harsh Arkansas fields or in the audience as Johnny whips the crowd into a frenzy plucking out his tunes on the guitar.

An exceptional portrait of one of the most recognizable musicians of all time. (author’s note, timeline, discography, bibliography) (Picture book/biography. 7-10)

Pub Date: Sept. 9, 2014

ISBN: 978-0-7636-6245-5

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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26 FAIRMOUNT AVENUE

            The legions of fans who over the years have enjoyed dePaola’s autobiographical picture books will welcome this longer gathering of reminiscences.  Writing in an authentically childlike voice, he describes watching the new house his father was building go up despite a succession of disasters, from a brush fire to the hurricane of 1938.  Meanwhile, he also introduces family, friends, and neighbors, adds Nana Fall River to his already well-known Nana Upstairs and Nana Downstairs, remembers his first day of school (“ ‘ When do we learn to read?’  I asked.  ‘Oh, we don’t learn how to read in kindergarten.  We learn to read next year, in first grade.’  ‘Fine,’ I said.  ‘I’ll be back next year.’  And I walked right out of school.”), recalls holidays, and explains his indignation when the plot of Disney’s “Snow White” doesn’t match the story he knows.  Generously illustrated with vignettes and larger scenes, this cheery, well-knit narrative proves that an old dog can learn new tricks, and learn them surpassingly well.  (Autobiography.  7-9)

Pub Date: April 1, 1999

ISBN: 0-399-23246-X

Page Count: 58

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1999

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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She said, “Failure is impossible,” and she was right, but unfortunately her steely determination does not come through in...

SUSAN B. ANTHONY

Susan B. Anthony worked to win women the right to vote her whole long life, but she did not live to see it done.

Wallner uses her flat decorative style and rich matte colors to depict Susan B. Anthony’s life, layering on details: Susan catching snowflakes behind her parents’ house; working in her father’s mill (briefly) and then departing school when the money ran out; writing at her desk; speaking passionately in front of small groups and rowdy crowds. It’s a little too wordy and a little less than engaging in describing a life in which Anthony traveled alone, hired her own halls, spoke tirelessly about women’s suffrage, published, created forums where women could speak freely and was arrested for registering to vote. Her life-long friendship with suffragist Elizabeth Cady Stanton is touched on, as are the virulent attacks against her ideas and her person. She died in 1906. Votes for women did not come to pass in the United States until 1920.

She said, “Failure is impossible,” and she was right, but unfortunately her steely determination does not come through in this book. (timeline, bibliography, source notes) (Picture book/biography. 7-10)

Pub Date: March 1, 2012

ISBN: 978-0-8234-1953-1

Page Count: 32

Publisher: Holiday House

Review Posted Online: Jan. 4, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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