This understated British romp will have readers absorbed in its details.
Dawney and Barrow here offer the tale of a little boy who navigates the streets of 1940s London to visit the possums at the zoo.
A bit reminiscent of Madeline(1939) with its rhyming text, recognizable metropolitan landmarks and purposeful youngster wearing a hat that trails ribbons, this follows Samuel and his “dog-on-wheels” through a bustling cityscape. Urban diversity is captured through varying skin tones, hairstyles and fashion choices. While the poetry scans smoothly, the first half of the book merely describes what the eye can see: “They pass the man who sells balloons, / they pass the band that’s playing tunes.” A pleasing narrative symmetry, however, becomes evident midway through. To the left of the gutter, five baby possums are sleeping, tails wrapped round the branch above; on the right, their eyes open and watch Sam depart. The rest of the story mirrors the beginning, except that the five possums join tail to tail with the toy dog Sam is dragging. While the boy is oblivious to his parade, the passersby, palace guards and street vendors are riveted; the humor derives from the onlookers’ distracted mishaps and the text/image contrast. The balloons play a part in the animals’ return to the zoo, but a surprise awaits the child at home. Cream-colored, matte backgrounds offer a restful backdrop for the tale’s colorful cacophony.
This understated British romp will have readers absorbed in its details. (Picture book. 3-6)Pub Date: Nov. 11, 2014
ISBN: 978-1-84976-221-2
Page Count: 40
Publisher: Tate Publishing
Review Posted Online: Sept. 13, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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