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THE NEW NATURALS

An affecting, experimental tale of race and reinvention.

A Black couple launches an ambitious plan to reinvent society in this potent allegory.

Bump’s second novel—following Everywhere You Don’t Belong (2020)—centers on a pair of young academics, Rio and Gibraltar, whose plans as writers, thinkers, and influencers are suddenly disrupted when their infant daughter dies. Taking a cue from her grandfather’s stories of his upbringing in an idyllic, remote Florida town, Rio imagines creating a similar utopia in an unlikely locale: under a restaurant near their western Massachusetts home. In short order she finds a wealthy benefactor to fund what they’ve dubbed the New Naturals. As she and Gibraltar get to work, the narrative alternates among various characters who find themselves headed toward the commune, including Sojourner, a journalist; Bounce, a one-time star college soccer player who’s hit the skids; and Buchanan and Elting, two homeless men. “All she wanted was a place for people to live and love and hide,” Rio thinks. “Was that too much? Was that impossible?” Maybe so, Bump suggests. Bump’s study of race and marginalization is built more on brief character sketches than deep-grain realism, which makes for some gorgeous and lyrical writing, especially around grief; dialogue-heavy scenes with Buchanan and Elting have a darkly comic tinge that recalls Waiting for Godot. (There are echoes throughout of Zora Neale Hurston’s Their Eyes Were Watching God and Paul Beatty’s The Sellout as well.) Inevitably, the best-laid plans of the New Naturals come under attack, which opens up questions of what structures make for an equitable society, and whether our divisions are hard-wired. But Bump doesn’t speak over his characters, letting their own struggles and ambiguous destinies speak to the depth of the challenge.

An affecting, experimental tale of race and reinvention.

Pub Date: Nov. 14, 2023

ISBN: 9781616208806

Page Count: 272

Publisher: Algonquin

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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