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GIRL UNWRAPPED

Ambitious in scope, at times poetic with strong imagery, this is a literary work that ultimately resonates with hope.

A complex coming-of-age story about an only child of Holocaust survivors whose keen sense of outsiderness and otherness is intensified by her struggle with coming out as a lesbian.

This debut novel is set largely in Montreal between 1959 and 1970. Goliger (Song of Ascent, 2003) creatively structures the narrative into five parts to correspond with important and often painful passages in Toni Goldblatt's life. "The Mountain" introduces Toni at eight years old, a tomboy who regards dresses as "a frilly prison," loves that "their street hugs the wild side of Mount Royal" and can't possibly live up to "be the miracle child her mother insists God delivered at Toni's birth." Conflicts abound. Her mother Lisa, originally from the Bohemian town of Karlsbad, sews alterations at Shmelzer's and fiercely wants a better, bigger life for her family. The author effectively weaves strands of residual Holocaust fears with Toni's own confusing secrets regarding her emerging sexuality. At 15, she's sent to Camp Tikvah, a Jewish camp in the Laurentians, where she feels like "loose debris," even more of an outcast than at school, and falls in love with the "sassy" (and straight) song instructor Janet. Swept up by the excitement of the Six Day War, Toni, now 18, embarks for Jerusalem; she returns to Montreal when her beloved book-rescuing father dies. The pace picks up when Toni discovers Loulou's, an under-the-radar lesbian bar where she continues to question "Who am I? Neither male nor female, neither fish nor fowl"—and moves even faster in part five when Toni does indeed become a "girl unwrapped," with all its complications and meanings. The personal is emphasized over the political, which is in fact dealt with somewhat superficially, but that is most likely the author's intent.

Ambitious in scope, at times poetic with strong imagery, this is a literary work that ultimately resonates with hope.

Pub Date: May 1, 2011

ISBN: 978-1-55152-375-0

Page Count: 336

Publisher: Arsenal Pulp Press

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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