An exciting resource in a promising, thorough multivolume celebration of Black women.
The first volume of an interdisciplinary, intersectional reference collection on influential Black women.
Disturbed by the 2016 election of Donald Trump and his pledge to “Make America Great Again,” author David was dismayed by the number of Americans who longed for the 1950s, “when White men ruled…and people of color had no rights.” She notes that surveys suggest that nearly 60% of White people believe that America in the 1950s was “better” than it is today. Even the #MeToo movement, a harbinger of 21st-century progressive activism, focused disproportionately on the experiences of White women. “Since history is told through the lens of the slaveholders,” who continue to control the nation’s narratives, it was important to David that she provide a comprehensive work that tells the “historical realities” too often “overlooked, misinterpreted, and often retold to present a false history.” The book starts with 50-plus pages of introductory material by David; Lyah Beth LeFlore-Ituen, a producer; and Chandra D.L. Waring, a professor, that contemplates both the victimization and the resilience of Black women. LeFlore-Ituen’s essay, for example, uses the multigenerational history of women in her own distinguished family as a lens through which to explore the impact of Black women on shaping the lives of their communities. Regardless of the dominant narratives in traditional history books, she reminds us, Black women have been telling their stories “at the kitchen table” for generations. The bulk of the nearly 700-page book comprises three parts that focus on Black women’s achievements in activism, dance, and sports. Each of the three sections begins with an introductory essay that provides a broad historical overview of the topic. Activists profiled include historical figures, like Harriet Tubman, Ella Baker, and Betty Shabazz, as well as modern figures, like criminal justice reform advocate Michelle Alexander and trans activist LaSaia Wade. The sections on dance and sports celebrate cultural icons from Josephine Baker and Debra Austin to Jackie Joyner-Kersee and Simone Biles. These chapters also challenge notions in sports broadcasting that paint successful Black athletes as “superhumanly ‘strong’ beings” and that fail to acknowledge their hard work, training, and mental fortitude.
The first book in an anticipated six-volume set, this is an inspiring, comprehensive work. With a multidisciplinary background in music, design, and poetry, David provides the model of activist scholarship that combines academic nuance and sophistication with an engaging writing style that is accessible to general readership, such as David’s essay that convincingly demonstrates how women served as the “foot soldiers” of the civil rights movement. Backed by impressive endnotes and references, each chapter is encyclopedic in breadth while offering fresh analytical insights into Black women who are well covered in the existing literature, like Rosa Parks. The choice to combine the topics of activism, dance, and sports makes for an eclectic collection. More consistency could have been paid in the formatting of chapters, which vary significantly in length. Accompanied by dozens of stark, powerful black-and-white photographs and portraits, this is a visually arresting volume whose words match the power of its images.
An exciting resource in a promising, thorough multivolume celebration of Black women.Pub Date: Nov. 1, 2021
ISBN: 978-1-940939-79-7
Page Count: 595
Publisher: 2Leaf Press
Review Posted Online: Nov. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
Review Program: Kirkus Indie
PERSPECTIVES
Lorde’s big heart and fierce mind are at full strength on each page of this deeply personal and deeply political collection.
The groundbreaking Black lesbian writer and activist chronicles her experience with cancer.
In her mid-40s, Lorde (1934-1992) was diagnosed with breast cancer and underwent a radical mastectomy. Through prose, poems, and selected journal entries beginning six months after the surgery, the author explores the anger, pain, and fear that her illness wrought. Her recovery was characterized by resistance and learning to love her body again. She envisioned herself as a powerful fighter while also examining the connection between her illness and her activism. “There is no room around me in which to be still,” she writes, “to examine and explore what pain is mine alone—no device to separate my struggle within from my fury at the outside world’s viciousness, the stupid brutal lack of consciousness or concern that passes for the way things are. The arrogant blindness of comfortable white women. What is this work all for? What does it matter if I ever speak again or not?” Lorde confronts other tough questions, including the role of holistic and alternative treatments and whether her cancer (and its recurrence) was preventable. She writes of eschewing “superficial spirituality” and repeatedly rejecting the use of prosthesis because it felt like “a lie” at precisely the time she was “seeking new ways of strength and trying to find the courage to tell the truth.” Forty years after its initial publication and with a new foreword by Tracy K. Smith, the collection remains a raw reckoning with illness and death as well as a challenge to the conventional expectations of women with cancer. More universally, Lorde’s rage and the clarity that follows offer us a blueprint for facing our mortality and living boldly in the time we have. This empowering compilation is heartbreaking, beautiful, and timeless.
Lorde’s big heart and fierce mind are at full strength on each page of this deeply personal and deeply political collection.Pub Date: Oct. 13, 2020
ISBN: 978-0-14-313520-3
Page Count: 96
Publisher: Penguin
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
A boon for admirers of Oz’s work and contemporary Israeli literature in general.
A moving, emotionally charged memoir of the renowned author’s youth in a newly created Israel.
“Almost everyone in Jerusalem in those days,” writes novelist Oz (The Same Sea, 2001, etc.) of the 1940s, “was either a poet or a writer or a researcher or a thinker or a scholar or a world reformer.” Oz’s uncle Joseph Klausner, for instance, kept a 25,000-volume library in every conceivable language, its dusty volumes providing a madeleine for the young writer, “the smell of a silent, secluded life devoted to scholarship,” even as his grandmother contemplated the dusty air of the Levant and concluded that the region was full of germs, whence “a thick cloud of disinfecting spirit, soaps, creams, sprays, baits, insecticides, and powder always hung in the air.” His own father had to sell his beloved books in order to buy food when money was short, though he often returned with more books. (“My mother forgave him, and so did I, because I hardly ever felt like eating anything except sweetcorn and icecream.”) Out in the street, Oz meets a young Palestinian woman who is determined to write great poems in French and English; cats bear such names as Schopenhauer and Chopin; the walls of the city ring with music and learned debate. But then there is the dark side: the war of 1948, with its Arab Legion snipers and stray shells, its heaps of dead new emigrants fresh from the Holocaust. “In Nehemiah Street,” writes Oz, “once there was a bookbinder who had a nervous breakdown, and he went out on his balcony and screamed, Jews, help, hurry, soon they’ll burn us all.” In this heady, dangerous atmosphere, torn by sectarian politics and the constant threat of terror, Oz comes of age, blossoming as a man of letters even as the bookish people of his youth begin to disappear one by one.
A boon for admirers of Oz’s work and contemporary Israeli literature in general.Pub Date: Nov. 15, 2004
ISBN: 0-15-100878-7
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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