Prendergast, who hails from Vancouver, B.C., pulls out all the stops in this action-packed coming-of-age tale fraught with familial and societal dysfunction.
When her family moves east from a tiny bungalow near the beach to a large house on the plains, 16-year-old misfit Raphaelle decides this new beginning calls for a little self-reinvention. Changing her name to Ella, Raphaelle narrates the various stages of her transformation, saying, “I have screwed around long enough. / I come to you a reformed girl,” and vowing not to make waves in her new environment. But when kids at her new high school start to isolate her— “What’s Ella short for? Elephant?”—and domestic pressures close in, Ella finds herself returning to her more radical, artistic side for release. She also finds herself seeking the comfort and affection of fellow art-class student Sam (short for Samir), who happens to be a Palestinian Muslim. When invited to contribute to the school art show, Ella and Sam create striking works that land both, in different ways, at the center of heated controversy. Though the narrative’s graphic plotting at times proves heavy-handed, Prendergast offers great insight into teen psychology—especially that of the outcast—and boldly probes sensitive topics like religious prejudice, sex, censorship and eating disorders.
A provocatively modern test of understanding difference. (Verse fiction. 14 & up)Pub Date: Oct. 1, 2013
ISBN: 978-1-4598-0530-9
Page Count: 336
Publisher: Orca
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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